tag:blogger.com,1999:blog-48879650613698227402024-03-19T09:11:59.033+01:00TutùmPoesia, ispirazioni e follie.
In pillole e non.Anonymoushttp://www.blogger.com/profile/03540028890530346022noreply@blogger.comBlogger278125tag:blogger.com,1999:blog-4887965061369822740.post-16258923393919297532017-02-10T14:59:00.002+01:002017-02-21T00:00:21.300+01:00Naviga tra i nostri ricordi<div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;"><b>P</b></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">er due anni abbiamo raccontato il mondo attraverso tutto ciò che di bello trovavamo in lui, e anche se oggi stiamo imparando nuove cose, conoscendo altre persone e approfondendo le nostre passioni, Tutùm resta qui, con tutti i ricordi e le storie che ha ospitato.<br /><br />Se hai voglia di sfogliare un po' le sue pagine e immergerti nel blog, ecco un semplice indice:</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwkTh2qc2ag4M0hv9ACCySTTumj53esPHNOnlI-JYu9y3x66QylaRb1VcmwOOZGSGkko1iLHFiNcUIjLo1jd1FDSET87sfEYwFQlyqHj19FHGVs9LRIGNYue_5rvF4RtSAVlf4UJUP8Evk/s1600/poesia2.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="173" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwkTh2qc2ag4M0hv9ACCySTTumj53esPHNOnlI-JYu9y3x66QylaRb1VcmwOOZGSGkko1iLHFiNcUIjLo1jd1FDSET87sfEYwFQlyqHj19FHGVs9LRIGNYue_5rvF4RtSAVlf4UJUP8Evk/s200/poesia2.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><a href="http://tutumversi.blogspot.com.es/search/label/poesia">QUI</a> c'è la nostra origine: il modo in cui vi abbiamo parlato di poeti e poesie.</span><br />
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<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkOkw_7f11gKMwBSSueFsB-eDBgHbBaBzIbmxrHs8Xsu1leYvwHd4L1cpDNXbnNwUQ3YpWuI1RCAFAQtDv0xzSCOuX7q9xTKVkiFtlF8AtOr6t8qmc7vgCXo089-Cc4YFqAPOOCHi-hLRr/s1600/foto.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkOkw_7f11gKMwBSSueFsB-eDBgHbBaBzIbmxrHs8Xsu1leYvwHd4L1cpDNXbnNwUQ3YpWuI1RCAFAQtDv0xzSCOuX7q9xTKVkiFtlF8AtOr6t8qmc7vgCXo089-Cc4YFqAPOOCHi-hLRr/s1600/foto.jpg" /></a></td></tr>
<tr><td class="tr-caption"><span style="font-family: "georgia" , "times new roman" , serif; font-size: small;">Che fossero storie o che fosse un po' di storia, la fotografia è stato uno dei temi centrali del nostro chiacchierare. <a href="http://tutumversi.blogspot.com.es/search/label/Fotografia">QUI </a>artisti, momenti e fotogrammi vari.</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgirF94Gl9fL3issS6xQKL1t-NYtUSbOxoSAYCDl829UGXNFFEs8ABlz_JKI1bPDVUmrGWYduOlO-cFPPxsyaYT9BrGbtManEbepPISnTjWq0qujzT0hcbMFT-wKhUfGa47DtGyfBTzxO-n/s1600/letteratura.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgirF94Gl9fL3issS6xQKL1t-NYtUSbOxoSAYCDl829UGXNFFEs8ABlz_JKI1bPDVUmrGWYduOlO-cFPPxsyaYT9BrGbtManEbepPISnTjWq0qujzT0hcbMFT-wKhUfGa47DtGyfBTzxO-n/s1600/letteratura.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: small;">Assaggi, narrativa e altre ispirazioni letterarie: <a href="http://tutumversi.blogspot.com.es/search/label/Letteratura">QUESTA </a>è la sezione in cui abbiamo approfondito il meraviglioso mondo dei libri.</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJipEIjoodEB4MvdR6RU1TVLTNn_J68kGIx-pON2EBQm6wK42CfGTqRYljrr4zAtre244xe67lRbcJrqhCDKVlOfGLVB-WFYigXFWXtANdD3O3B9VIUQaw6CTAYem6bN8g5qxG0tzbsEss/s1600/arte.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJipEIjoodEB4MvdR6RU1TVLTNn_J68kGIx-pON2EBQm6wK42CfGTqRYljrr4zAtre244xe67lRbcJrqhCDKVlOfGLVB-WFYigXFWXtANdD3O3B9VIUQaw6CTAYem6bN8g5qxG0tzbsEss/s1600/arte.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: small;">Tra artisti nuovi, vecchi e folli, <a href="http://tutumversi.blogspot.com.es/search/label/arte">QUI </a>vi abbiamo inondato di colori e idee.</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvekJ4BKDsMJC4nxgWm2DCqOo9G1ml7Bvw-_Q53POwbivnakzhzWK2mp3l0iXoT5sfytcZALzBO5ngovxUv2wtxkK88DJ5YfejY90z6OKzHHaj4vmgMzI5u60bhe8qEjfEUocgA6DJ1Mdg/s1600/att.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvekJ4BKDsMJC4nxgWm2DCqOo9G1ml7Bvw-_Q53POwbivnakzhzWK2mp3l0iXoT5sfytcZALzBO5ngovxUv2wtxkK88DJ5YfejY90z6OKzHHaj4vmgMzI5u60bhe8qEjfEUocgA6DJ1Mdg/s1600/att.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: small;">Ci piace parlare del mondo, quindi spesso ve lo abbiamo raccontato a modo nostro.</span></td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="http://tutumversi.blogspot.com.es/search/label/il%20venerd%C3%AC">QUI</a>.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Grazie di essere tornato.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Come sempre, <b>buon viaggio!</b></span></div>
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Anonymoushttp://www.blogger.com/profile/03540028890530346022noreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-60560131506090197532016-05-02T16:26:00.002+02:002016-05-02T16:39:20.813+02:00[Poetiche Interviste] - I versi e il dialetto, Nient'altro che parole. Intervista e poesie con Annalisa Teodorani<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "georgia" , "times new roman" , serif;">Il secondo appuntamento delle nostre <b>poetiche interviste </b>ha come protagonista <b>Annalisa Teodorani, </b>poetessa che da anni porta avanti la tradizione poetica dialettale di Santarcangelo di Romagna. Quattro domande lampo e tre poesie, in dialetto e non, per introdurvi alla sua ultima raccolta, <b><a href="http://www.feltrinellieditore.it/autori/autore/teodoraniannalisa/"><i>Nient'altro che parole</i></a></b>.</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ08bEhk4qYVE95Ci7N26Rqz6soNKG4Q0rF0RYjOIkQbD7BUKqDTAbQsmTrLecvDudsXh6aNuaxOB6SgIqtk2IkQN4S7HLgskA_9XoH39eAp8b4hqWxFWVa7s9niCRedrMlDMTzTelFjg8/s1600/sant.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ08bEhk4qYVE95Ci7N26Rqz6soNKG4Q0rF0RYjOIkQbD7BUKqDTAbQsmTrLecvDudsXh6aNuaxOB6SgIqtk2IkQN4S7HLgskA_9XoH39eAp8b4hqWxFWVa7s9niCRedrMlDMTzTelFjg8/s640/sant.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Santarcangelo di <a href="http://www.riviera.rimini.it/photo?autore=95&page=6">Romagna</a></b> vista dalla campagna</span></td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>Annalisa Teodorani</b>, nata a Rimini nel 1978, vive a Santarcangelo di Romagna e fa parte di quei poeti contemporanei che stanno portando avanti <a href="http://dev.racine.ra.it/sistemamusei/sezioni/articoli1.php?art=247">la tradizione poetica della scuola santarcangiolese</a>. </span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Esordisce nel 1999 con la raccolta in dialetto romagnolo </span><i style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Par sénza gnént</i><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> , cui seguono le raccolte La </span><i style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">chèrta da zugh</i><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> (2004), </span><i style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Sòta la guàza</i><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> (2010), </span><i style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">La stasòun dagli amòuri biénchi</i><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> (2014) e </span><i style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;"><a href="http://www.feltrinellieditore.it/opera/opera/nientaltro-che-parole/#extra">Nient'altro che parole</a>,</i><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> pubblicata quest'anno nella collana <i>Zoom Poesia </i>di Feltrinelli Editore.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">A riconfermare l’importanza dei suoi versi, l’autrice è compresa nel saggio</span><br />
<a name='more'></a><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> a cura di Pietro Civitareale <i>Poeti in romagnolo del secondo Novecento</i> (La Mandragora 2005), nella selezione antologica eponima uscita nel 2006 per le edizioni Cofine di Roma, nel <i>Dizionario dei poeti dialettali romagnoli del Novecento</i> a cura di Gianni Fucci e Giuseppe Bellosi (Pazzini 2006), e nell’antologia in lingua inglese <i>Poets from Romagna</i> uscita nel 2013 per la casa editrice gallese Cinnamon Press. </span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">È vincitrice di numerosi premi e i suoi versi sono stati pubblicati su quotidiani e riviste romagnole, tra cui “<i>Ariminum</i>”, “<i>Confini</i>”, “<i>Graphie</i>”.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Dopo aver letto la sua ultima raccolta, <i style="font-weight: bold;">Nient'altro che parole</i>, abbiamo deciso di farvela conoscere meglio attraverso un'intervista lampo<b> </b>e tre poesie, in dialetto e non.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcxWpdrJnAWsOrTwbRbqdq2mck5GanWCG1rdYjmqidqRBNIHCjSLJKcX0I6MzOR3f-qV70iMfwkEwxYDruFfiibEie-bOZVfRQWoyraXwjvsTV83PZ3f9j33DoINfur3fFaE7WHEgnYnIU/s1600/Annalisa-Teodorani..jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcxWpdrJnAWsOrTwbRbqdq2mck5GanWCG1rdYjmqidqRBNIHCjSLJKcX0I6MzOR3f-qV70iMfwkEwxYDruFfiibEie-bOZVfRQWoyraXwjvsTV83PZ3f9j33DoINfur3fFaE7WHEgnYnIU/s320/Annalisa-Teodorani..jpeg" width="320" /></a></span></span></div>
<span style="font-family: "georgia" , "times new roman" , serif;"><b>Cosa ti a spinge a scegliere il dialetto, lingua naturale e originaria?</b></span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Ormai faccio questa operazione da anni, è del tutto naturale per me. Considero il dialetto una sorta di lingua madre perché così lo vivo. Sono cresciuta in un ambiente <i>dialettofono </i>e credo che, anche inconsapevolmente, sia stata questa lingua a parlarmi ancor prima dell'italiano </span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"> </span><b>Che rapporto intercorre tra poesia in dialetto e traduzione in <i>Nient’altro che parole</i>?</b></span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Di fatto rimangono due blocchi distinti. Nel senso che tutto ciò che trovate scritto in ciascuna delle due lingue, di base è stato pensato nella sua lingua originaria. La traduzione dal dialetto nei testi pensati per l'appunto in dialetto è meramente una <i>traduzione di servizio</i>, come nei libri precedenti, ma comunque dotata di una sua autenticità, e dunque di autonomia. Con la Casa editrice abbiamo voluto fare questo esperimento delle due lingue perché poteva essere interessante vedere come ne sarebbe uscita nel complesso la mia voce. Di fatto, si tratta della prima opera in cui pubblico anche testi concepiti in italiano.</span><br />
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<b><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> </span><span style="font-family: "georgia" , "times new roman" , serif;">Quali sono i tuoi riferimenti poetici nella tradizione dialettale e italiana?</span></b><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Certmente per il dialetto i miei conterranei: Tonino Guerra, Raffaello Baldini, Nino Pedretti poi i classici: Leopardi, Pascoli, Montale, Ungaretti e Antonia Pozzi per esempio... </span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"> </span><b>Chi sono i destinatari ideali della tua poesia?</b></span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Tutti! Credo nella funzione sociale della poesia, credo che la parola abbia il compito di raggiungere il maggior numero possibile di persone. Di questi tempi ne abbiamo bisogno. </span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;"><b>A</b></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">ndè vì s'una schéusa</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">turnè pr'una surpràisa ch'la n g'nè </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">par nu sintói </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">che i dè i è lóngh</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">e i è tótt cumpàgn</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">l'è cumè andè da la càmbra da lèt</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">a e' bagn</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">ad nòta. </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">(<i>Andare via con una scusa/ tornare per una sorpresa che non c'è/ per non sentire che i giorni sono lunghi/ e sono tutti uguali/ è come andare dalla camera da letto/ al bagno/ di notte</i>)</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;"><b>**</b></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><b><span style="font-size: x-large;">A</span></b><span style="font-size: large;">ttorno al buco</span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">si è formato un vuoto.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Anche l'anima è soggetta</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">alla forza di gravità</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">ma precipitando</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">trova la sua essenza</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><b><span style="font-size: x-large;">N</span></b><span style="font-size: large;">on lo vedi </span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">perchè sei attraversata</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">dall'angelo</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">è tutta luce</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">quell'assenza</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">di cui ti fai trasparenza</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">A cura di <b>Giulia e Serena</b></span></div>
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Anonymoushttp://www.blogger.com/profile/03540028890530346022noreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-14552517064273955102016-04-21T11:33:00.000+02:002016-04-21T12:47:09.391+02:00[Autoritratti d'Artista] - Van Gogh, rimirarsi nella tela<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Un percorso attraverso gli autoritratti di Van Gogh tra arte, psiche e musica.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj41kixx_5BbJnS2eylvDpmF-LRlD1z1zvJuev10mH5fsrj9tRUj0nLdsdlCxUv2zKa8UUJB02h3Jvjnrgw3ZXGuBBDVPJua0Bx7awTeV5cr1CmxeZbpu0SdXnfprcsokUNNYxQcZxmNXFS/s1600/firma+van+gogh.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj41kixx_5BbJnS2eylvDpmF-LRlD1z1zvJuev10mH5fsrj9tRUj0nLdsdlCxUv2zKa8UUJB02h3Jvjnrgw3ZXGuBBDVPJua0Bx7awTeV5cr1CmxeZbpu0SdXnfprcsokUNNYxQcZxmNXFS/s1600/firma+van+gogh.png" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg7HiFPB2nYNkxXsb7tXhxOAuOML8h_Q6shtUnBAkNd-w1j6yHEe6i2hL1-bCMYjkZ5GURwxa2csIbq00Ddo7hvXM-3mafxW_D5z04XKE1cIm-TqBjHCIJdAijf_lmkRXILI_-lVTlsdF7/s1600/Autoritratto+con+cappello+di+feltro+1887.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg7HiFPB2nYNkxXsb7tXhxOAuOML8h_Q6shtUnBAkNd-w1j6yHEe6i2hL1-bCMYjkZ5GURwxa2csIbq00Ddo7hvXM-3mafxW_D5z04XKE1cIm-TqBjHCIJdAijf_lmkRXILI_-lVTlsdF7/s640/Autoritratto+con+cappello+di+feltro+1887.jpg" width="530" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Van Gogh, <i>Autoritratto con cappello di feltro</i>, 1887</td></tr>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;"><i>Autore di quasi 900 dipinti, Van Gogh produsse una quarantina di autoritratti durante tutto il corso della sua vita. Ogni quadro suggella un momento della sua esistenza e si connota di una profonda</i></span><br />
<a name='more'></a><span style="font-family: Georgia, Times New Roman, serif; font-size: large;"><i> valenza psicologica che ha portato gli studiosi a lavorare sul profilo clinico dell'artista.</i></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8CdD-LiKZl2L8Q7aAHA4Ej4pmBO6yDCzXiKgxrcMrrTDbFNqBaD9tsCY5t_dc1NYO-yz6Z342hLD4dwkvJotTWYRw6H77tfTkIPjewxd0H_-q1zsWa8RzpPBH6lACuyfSlojV-9T7kVP2/s1600/Autoritratto+al+cavalletto%252C+1887-88.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8CdD-LiKZl2L8Q7aAHA4Ej4pmBO6yDCzXiKgxrcMrrTDbFNqBaD9tsCY5t_dc1NYO-yz6Z342hLD4dwkvJotTWYRw6H77tfTkIPjewxd0H_-q1zsWa8RzpPBH6lACuyfSlojV-9T7kVP2/s640/Autoritratto+al+cavalletto%252C+1887-88.jpg" width="488" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Van Gogh, <i>Autoritratto al cavalletto</i>, 1887-88<br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;"><i>Van Gogh amava autoritrarsi con gli strumenti da lavoro perché riteneva che un pittore è tale solo nel momento in cui è all'opera.</i></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir8KgQKq0DDDKh_W59eVYslbnzl195RMDO_LfXCPDr1PqAtpa4wL3LGCOwRULwAQdIErZP9wCQNy43YBpVtw6WBV3EulFaxkPCNyPbpJRgK9Nn1JnMYDos39KCy-uA6BQknWOn8qvKZJF7/s1600/Autoritratto+dedicato+a+Paul+Gauguin%252C+1888.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir8KgQKq0DDDKh_W59eVYslbnzl195RMDO_LfXCPDr1PqAtpa4wL3LGCOwRULwAQdIErZP9wCQNy43YBpVtw6WBV3EulFaxkPCNyPbpJRgK9Nn1JnMYDos39KCy-uA6BQknWOn8qvKZJF7/s640/Autoritratto+dedicato+a+Paul+Gauguin%252C+1888.jpg" width="510" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Van Gogh, <i>Autoritratto dedicato a Gauguin</i>, 1888<br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><i>Nel 1888, Theo Van Gogh eredita una somma ingente dallo zio e decide di investirla sul fratello, oltre che su Paul Gauguin. Finanziati dal fratello minore del primo, i due vivono insieme nella </i>Casa gialla<i> ad Arles.</i></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3rXinTicoN2lD41obnoBQy39yvZrdvhL26vE7l1z_FGaa-Ukq7X2iBGRwvOhYVAMRBqd-433pnyOTXvezcFz3zxYFbwnpzGOLnQhULFJkk8UTEWgcqp0SW9ewdy7pPbh9Tqq-4iOd5vvL/s1600/1889.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3rXinTicoN2lD41obnoBQy39yvZrdvhL26vE7l1z_FGaa-Ukq7X2iBGRwvOhYVAMRBqd-433pnyOTXvezcFz3zxYFbwnpzGOLnQhULFJkk8UTEWgcqp0SW9ewdy7pPbh9Tqq-4iOd5vvL/s640/1889.jpg" width="522" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Van Gogh, <i>Autoritratto con orecchio bendato</i>, 1888<br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><i>Presto la convivenza tra i due artisti divenne più complessa di quanto previsto. Stando alle fonti ufficiali, il giornale di Arles, Van Gogh si tagliò un orecchio e lo consegnò a una prostituta della città di nome Rachel dicendole di difenderlo con la vita. </i></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmfHuAWXiLLHtb5d44rQbCkhsTmkBGZ9VRyvVeDgTJZJ3LiodtPMkcctSYT3UAL_3lyHl8SDBi3_qUHO0rcMjMcDjgrKb-XbtRK08qo-mKYAZH_IO9Vckd9D1yIEaUa2VgKSfRsA3f8pq1/s1600/Van+Gogh+-+Autoritratto%252C+1899.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmfHuAWXiLLHtb5d44rQbCkhsTmkBGZ9VRyvVeDgTJZJ3LiodtPMkcctSYT3UAL_3lyHl8SDBi3_qUHO0rcMjMcDjgrKb-XbtRK08qo-mKYAZH_IO9Vckd9D1yIEaUa2VgKSfRsA3f8pq1/s640/Van+Gogh+-+Autoritratto%252C+1899.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Van Gogh, <i>Autoritratto</i>, 1889</td></tr>
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<b><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><a href="https://www.facebook.com/Massimiliano-Auci-771600149641824/?fref=ts" target="_blank">Massimiliano Auci</a>, Van Gogh</span></b></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><i>Un ritratto in musica </i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">A cura di <b>Serena M.</b></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-58637389607983122352016-04-20T10:14:00.001+02:002016-04-22T11:20:58.317+02:00[News- Fotografia] - "World Press Photo" in mostra a Roma. Gli scatti storici del fotogiornalismo<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "georgia" , "times new roman" , serif;">Nel mese di maggio, il <b>Museo di Roma in Trastevere </b>ospiterà la mostra itinerante <b>World Press Photo</b>, uno dei più importanti concorsi al mondo nell'ambito del foto giornalismo.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">La news, qualche info e <b>8 scatti storici dall'archivio ufficiale della fondazione olandese.</b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnZ5puAWfD3FwGF6QGxVh4BQq8uPFCQ2oiIV_X-nSojEvUnPeKtU0_HNXyYH4EQ8KGpe6r3M9BwUEnw9sFvJ1RudysK2hsm1cb3idggDiKJ6mG1KKDfNOMM4UntLHFkpC5JKXm5mTMM87D/s1600/wpp16.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="222" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnZ5puAWfD3FwGF6QGxVh4BQq8uPFCQ2oiIV_X-nSojEvUnPeKtU0_HNXyYH4EQ8KGpe6r3M9BwUEnw9sFvJ1RudysK2hsm1cb3idggDiKJ6mG1KKDfNOMM4UntLHFkpC5JKXm5mTMM87D/s640/wpp16.png" width="640" /></a></div>
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<b style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Dal 29 aprile al 29 maggio 2016, il Museo di Roma in Trastevere ospiterà l'anteprima italiana di uno dei più importanti contest di foto giornalismo al mondo</b><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">. In una grande esposizione itinerante, centinaia di immagini si faranno testimoni dell'attualità attraverso le fotografie vincitrici del </span><b style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">World Press Photo 2016. </b><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><a href="http://www.worldpressphotoroma.it/eventi/">La tappa romana della mostra</a>, promossa dalla sovrintendenza Capitolina ai Beni Culturali in collaborazione con il centro polifunzionale di fotografia <b>10bhotography</b> e la World Press Photo Foundation, sarà visitabile dal martedì alla domenica dalle 10,00 alle 20,00, e per cinque venerdì straordinari resterà aperta fino alle 23,00.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>Nato nel 1955, il premio World Press Photo è uno dei più importanti riconoscimenti nell'ambito del foto giornalismo </b>in cui ogni anno, da 59 anni, una giuria indipendente di esperti internazionali è chiamata ad </span><br />
<a name='more'></a><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">esprimersi su migliaia di fotografie giornalistiche che arrivano agli uffici della World Press Foundation di Amsterdam. Quest'ultima, principale promotrice del contest, è un'associazione no-profit indipendente che ha tra i suoi obiettivi principali quello di <b>promuovere e diffondere i massimi standard nel campo del foto-giornalismo. </b>Oltre al celebre premio, la fondazione svolge attività in tutto il mondo attraverso seminari, laboratori e l'annuale <a href="http://www.worldpressphoto.org/academy/joop-swart-masterclass">Joop Swart Masterclass</a>.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Quest'anno, la giuria ha suddiviso i lavori vincitori in 8 categorie, premiando 42 fotografi provenienti da 21 paesi di tutto il mondo, tra cui anche l'Italia.<br />La foto dell'anno è stata scelta dalla categoria <i>TopNews</i>, ed è del fotografo australiano <b>Warren Richardson. </b>Scattata il 28 agosto 2015 al confine tra la Serbia e l'Ucraina, si intitola Hope for new life e mostra un uomo che fa passare un bimbo attraverso il filo spinato. E' stata scelta per illustrare la situazione drammatica dei migranti che nel 2015 si è imposta sull’attualità. </span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">"La mostra World Press Photo non è solo una galleria di immagini sensazionali - <a href="https://www.facebook.com/events/989363737820058/">spiegano </a>gli organizzatori - ma è un documento storico che permette di rivivere gli eventi cruciali del nostro tempo".</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Per ricordare come questo contest abbia scioccato, fatto discutere e indotto a riflettere sulla storia, ecco </span><b style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">8 scatti storici selezionati tra i vincitori assoluti dall'<a href="http://www.worldpressphoto.org/collection/contests">archivio della World Press Foundation.</a></b><br />
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<b><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">1955</span></b><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Il 1955 è l'anno della </span><b style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">prima World Press Photo della storia.</b><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> Selezionata tra 310 scatti inviati da 42 fotografi di 11 paesi diversi, fu scattata dalla </span><i style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Rolleiflex </i><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">del fotografo danese </span><b style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Mogens von Haven.</b><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">L'immagine raffigura il singolare</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> <i>capitombolo </i>sull'asfalto di un motociclista durante il Motorcross World Championship di Volk Mølle, in Danimarca.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>1965</b></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Le foto vincitrici della decima edizione del contest furono selezionate tra un numero di partecipanti nettamente superiore a quello di dieci anni prima: ben 2,720 scatti inviati da 695 fotografi di 49 paesi differenti. La vincitrice assoluta fu quella del fotografo giapponese </span><b style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Kyoichi Sawada</b><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">, ritraente una mamma e i suoi bambini in Vietnam che attraversano un fiume per </span><b style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">fuggire ai bombardamenti delle forze armate statunitensi. </b><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Queste ultime avevano evacuato il loro villaggio, sospetto di essere sfruttato come base da parte dei Viet Cong.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>1975</b></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Il 1975 fu l'anno del foto-giornalista statunitense </span><b style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Ovie Carter, </b><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">che venne premiato per una fotografia commissionata da </span><i style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Chicago Tribune.</i><b style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;"> </b><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Lo scatto ritrae una mamma che tranquillizza la sua bambina affamata nei pressi di un campo a Kao, piccolo villaggio al centro del </span><b style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Niger</b><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Dal 1968 al 1974, gravi siccità devastarono il bestiame del paese, causando un grave crollo della produzione. <b>Le siccità colpirono l'intera regione del Sahel, e in sei anni morirono di fame di fame almeno 350,000 persone.</b></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>1983</b></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Selezionato tra 4,337 scatti di fotografi da 49 paesi differenti, questa WPP of the year fu scattata dal fotografo statunitense </span><b style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Robin Moyer </b><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">e commissionata da </span><i style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Black Star </i><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">per il </span><i style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Time.</i><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Ambientata a Beirut, Libano, ritrae corpi di palestinesi che giacciono a terra dopo <b>un massacro da parte dei miliziani della <a href="http://www.centrostudilaruna.it/falange-cristiana-in-libano.html">Falange cristiana</a></b>. L'attacco si verificò </span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">tra il 16 e il 18 settembre 1982, </span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">durante la guerra civile libanese. Durante gli scontri, circa 150 miliziani armati uccisero tra i 500 e i 4000 civili palestinesi, tra cui un gran numero di donne, bambini e anziani.<br />La milizia armata, legata al <a href="http://countrystudies.us/lebanon/85.htm" style="font-style: italic;">Phalange Party</a>, era alleata alle forze di Difesa israeliane, che al tempo occupavano l'area di Beirut e tenevano sotto controllo i campi rifugiati.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>1986</b></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Scattata dal fotografo francese </span><b style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Frank Fournier</b><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> e selezionata come vincitrice tra oltre 5,300 immagini, questa fotografia ritrae gli ultimi momenti di vita di una ragazza di nome </span><b style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Omayra Sanchez, intrappolata fra i detriti durante l'eruzione del vulcano Nevado del Ruìz.</b><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Il 13 novembre 1985 il vulcano, situato in Colombia e alto oltre 5000 metri, eruttò, causando un'esplosione che raggiunse i villaggi a valle e inghiottì completamente la cittadina di Armero. Il dispiegamento delle forze di soccorso non fu sufficiente e morirono oltre 25,000 persone.<br />Omayra rimase intrappolata tra le macerie della propria casa per tre notti. I soccorritori non riuscivano a tirarla fuori e dovettero aspettare a lungo l'arrivo del materiale per trarla in salvo. La ragazza, che per ore rimase sospesa tra stati di coscienza e incoscienza, morì di un attacco di cuore prima che potessero salvarla, e fu ritratta dal foto-giornalista durante le sue ultime ore di vita. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>Le fotografie dell'agonia di Omayra disturbarono molti spettatori, suscitarono critiche, diedero vita a un dibattito sul ruolo del fotografo in queste situazioni.</b> Fournier non si pentì mai di aver scattato quelle fotografie, ribadì più volte che era stato importante raccontare quella storia e di essere felice dell'impatto che aveva avuto sull'opinione pubblica.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>1991</b></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">La World Press Photo del '91 è del fotografo francese </span><b style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Georges Mérillon.</b><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> Ambientata in Kosovo, ritrae la disperazione di una famiglia jugoslava di fronte alla salma di Nasimi Elshani, ucciso durante le <b>proteste contro la decisione del governo di abolire l'autonomia del Kosovo</b>.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Il Kosovo, che era stato provincia autonoma della Serbia dal 1974, vide nel 1989 una riduzione della sua autonomia e forti repressioni culturali da parte del leader nazionalista serbo Milošević. La prima vittima di questa repressione fu l'etnia albanese, che per dieci anni si difese dai soprusi quotidiani esclusivamente con mezzi non violenti e con forme di resistenza pacifica.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>2001</b></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Scelta tra 3,938 fotografi da 121 paesi differenti, la WPP of the year del 2001 è della fotografa statunitense <b>Lara Jo Regan, </b>commissionata da <i>For Life.</i></span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Lo scatto ritrae <b>la famiglia Sanchez nella propria casa in una C<i>olonia </i>del Texas. </b></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">La mamma, immigrata dal Messico, realizza Piñatas di carta per i suoi bambini.</span><b><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Le "</span><i style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Colonias" </i></b><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>sono aree residenziali non-incorporate che si trovano lungo i confini tra Texas e Messico</b>. Non fanno parte di un territorio preciso e nella maggior parte dei casi sono prive di servizi fondamentali come l'acqua potabile, l'elettricità e i servizi sanitari.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Questa famiglia, come molte altre, non è presente in quei censimenti che determinano le zone in cui sono necessarie scuole, ospedali e altre fondamentali istituzioni.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>2015</b></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Selezionata tra quasi 100mila fotografie, la vincitrice assoluta dell'anno scorso è stata quella del fotografo danese <b>Mads Nissen, </b>commissionata da <i>Berlisgske/Scanpix.</i></span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Protagonista dello scatto è una coppia gay. <b>John e Alex </b>stanno condividendo un momento di intimità nel loro appartamento di San Pietroburgo, ma la loro situazione è molto critica. In Russia, infatti, per gli LGBT la vita è sempre più rischiosa: le minoranze sessuali affrontano quotidianamente discriminazioni sociali e legali, molesti e attacchi criminali da parte di gruppi religiosi e nazionalisti.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">A cura di <b>Giulia C.</b></span></div>
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Anonymoushttp://www.blogger.com/profile/03540028890530346022noreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-23995677083466622812016-04-18T00:05:00.001+02:002016-04-18T00:05:01.051+02:00[Maestra Poesia] - Emily Dickinson, "Destatevi nove muse, cantatemi una melodia divina"<div style="text-align: right;">
<i style="color: #252525; font-family: georgia, 'times new roman', serif; font-size: 14px;">Conosco una sola visione della poesia che sia pienamente soddisfacente: quella di Emily Dickinson quando dice che in presenza di una vera poesia è colta da un tale freddo da avere la sensazione che nessun fuoco potrà scaldarla.</i></div>
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<span style="background-color: white; color: #252525; font-size: 14px;"><span style="font-family: "georgia" , "times new roman" , serif;">Emile Cioran</span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span><span style="font-family: "georgia" , "times new roman" , serif;"><b><span style="font-size: large;"><i>Destatevi nove muse, cantatemi una melodia divina</i></span></b></span><br />
<span style="font-family: "garamond";"><span style="font-size: large;"><br /></span></span><span style="font-family: "georgia" , "times new roman" , serif;">Destatevi nove muse, cantatemi una melodia divina, </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">dipanate il sacro nastro, e legate il mio Valentino!</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">Oh la Terra fu <i>creata</i> per amanti, damigelle, e spasimanti disperati, </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">per sospiri, e dolci sussurri, e <i>unità</i> fatte di <i>due</i>,<br />tutte le cose si vanno corteggiando, in terra, o mare, o aria,<br />Dio non ha fatto celibe nessuno eccetto <i>te</i> nel suo mondo così bello! La <i>sposa</i>, e poi lo sposo, i <i>due</i>, e poi l'<i>uno</i>,</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Adamo, ed Eva, sua consorte, la luna, e poi il sole;<br />la vita fornisce la norma, chi obbedisce sarà felice,<br />chi non serve il sovrano, sia appeso all'albero fatale.<br />Il superbo cerca l'umile, il grande cerca il piccolo,<br />nessuno non trova chi ha <i>cercato</i>, su questa terrestre sfera; </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">L'ape fa la corte al fiore, il fiore risponde al suo appello,<br />ed essi celebrano nozze gioiose, i cui invitati sono cento foglie; </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">il vento corteggia i rami, i rami si fanno conquistare,</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">e il padre affettuoso cerca la fanciulla per il figlio.<br />La tempesta si aggira sulla riva mormorando un dolente canto,<br />il frangente con occhio pensoso, volge lo sguardo alla luna,<br />i loro spiriti si fondono, si scambiano solenni giuramenti,<br />mai più canterà lui dolente, e lei scaccerà la sua tristezza.<br />Il <i>verme </i>corteggia il <i>mortale</i>, la morte reclama una sposa viva,<br />la notte al giorno <i>è</i> sposata, l'aurora al vespro;<br />la <i>Terra</i> <i>è</i> un'allegra damigella, e il <i>Cielo</i> un cavaliere tanto sincero,<br />e la Terra <i>è</i> alquanto civettuola, e a lui sembra vano implorare.<br />Ora l'<i>applicazione</i> pratica, al lettore dell'elenco,<br />per portarti sulla retta via, e mettere in riga la tua anima;<br />tu sei un assolo <i>umano</i>, un essere freddo, e solitario,<br />non avrai una dolce compagna,<i> </i><i>raccoglierai </i>ciò che hai seminato.<br />Non hai mai ore silenti, e minuti sempre troppo lunghi,<br />e un sacco di tristi pensieri, e <i>lamenti</i> invece di canti?<br />C'è <i>Sarah</i>, ed <i>Eliza</i>, ed <i>Emeline</i> così bella,<br />e <i>Harriet</i>, e <i>Susan</i>, e quella con la <i>chioma arricciata</i>!<br />I tuoi occhi sono tristemente accecati, eppure puoi ancora vedere </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>sei</i> vere, e avvenenti fanciulle sedute sull'albero;<br />accostati a quell'albero con prudenza, poi arrampicati ardito,<br />e cogli colei che ami di più, non curarti dello spazio, né del <i>tempo</i>! Poi portala tra le fronde del bosco, e costruisci per lei un pergolato, e dalle ciò che chiede, gioielli, o uccelli, o fiori;<br />e porta il piffero, e la tromba, e batti sul tamburo -<br />e da' il Buongiorno al mondo, e avviati alla gloria casalinga! </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span><span style="font-family: "georgia" , "times new roman" , serif;">(1850)</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Awake ye muses nine, sing me a strain divine, </i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>unwind the solemn twine, and tie my Valentine!</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Oh the Earth was made for lovers, for damsel, and hopeless swain, </i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>for sighing, and gentle whispering, and unity made of twain,</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>all things do go a courting, in earth, or sea, or air,</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>God hath made nothing single but thee in his world so fair!</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>The bride, and then the bridegroom, the two, and then the one, </i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Adam, and Eve, his consort, the moon, and then the sun; </i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>the life doth prove the precept, who obey shall happy be, </i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>who will not serve the sovreign, be hanged on fatal tree. </i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>The high do seek the lowly, the great do seek the small, </i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>none cannot find who seeketh, on this terrestrial ball;</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>The bee doth court the flower, the flower his suit receives,</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>and they make a merry wedding, whose guests are hundred leaves; </i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>the wind doth woo the branches, the branches they are won,</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>and the father fond demandeth the maiden for his son.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>The storm doth walk the seashore humming a mournful tune,</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>the wave with eye so pensive, looketh to see the moon,</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>their spirits meet together, they make them solemn vows,</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>no more he singeth mournful, her sadness she doth lose.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>The worm doth woo the mortal, death claims a living bride,</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>night unto day is married, morn unto eventide;</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Earth is a merry damsel, and Heaven a knight so true,</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>and Earth is quite coquettish, and he seemeth in vain to sue.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Now to the application, to the reading of the roll,</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>to bringing thee to justice, and marshalling thy soul;</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>thou art a human solo, a being cold, and lone,</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>wilt have no kind companion, thou reap'st what thou hast sown. </i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Hast never silent hours, and minutes all too long,</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>and a deal of sad reflection, and wailing instead of song?</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>There's Sarah, and Eliza, and Emeline so fair,</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>and Harriet, and Susan, and she with curling hair!</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Thine eyes are sadly blinded, but yet thou mayest see</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>six true, and comely maidens sitting upon the tree;</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>approach that tree with caution, then up it boldly climb,</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>and seize the one thou lovest, nor care for space, or time!</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Then bear her to the greenwood, and build for her a bower,</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>and give her what she asketh, jewel, or bird, or flower;</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>and bring the fife, and trumpet, and beat upon the drum -</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>and bid the world Goodmorrow, and go to glory home! </i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>Emily Dickinson</b></span></div>
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<span style="font-size: large;"><span style="font-family: "garamond";"><br /></span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-69460480528520195212016-04-15T00:05:00.000+02:002016-04-15T00:05:13.729+02:00[Appuntamenti con l'arte] - Da Caravaggio a Parma, da Barbie a Mucha. Le mostre da non perdere a Roma<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Georgia, Times New Roman, serif;">Il nostro appuntamento con l'arte romana: da Caravaggio all'arte parmense del Cinquecento, dalle opere di Mucha alla storia di Barbie, ecco <b>quattro mostre che non potete perdervi a Roma</b> nei prossimi mesi.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;"><b>1. </b></span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCY2VIrBvZXK_k36LdK1Q7n8fqbHXh-Ez1JCEaOL9tcnDAD-6hCc869UxvJsV2aLrG6oj7oqcK3ax4RaiIms9EvE2Uu-jcSrY2NZ3geX249cRT9HV5zBFKONQAUm2DQO9sa3a5Sj3p8hgX/s1600/car+ex.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCY2VIrBvZXK_k36LdK1Q7n8fqbHXh-Ez1JCEaOL9tcnDAD-6hCc869UxvJsV2aLrG6oj7oqcK3ax4RaiIms9EvE2Uu-jcSrY2NZ3geX249cRT9HV5zBFKONQAUm2DQO9sa3a5Sj3p8hgX/s640/car+ex.jpg" width="640" /></a></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmqTmqN5a6nJFH4f1M06LWAONj0sgVon1SpJVtLDQP4rBxp8L0MKEccpu-6jdfoqrD8KZYlC780NDx1AyEsRfffJ9CoZ55gL8Btqh_Zq7thrQZwKfBpNJ_VqUiHJs0qPoeK9mLZcEy8cfr/s1600/car+ex+2.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmqTmqN5a6nJFH4f1M06LWAONj0sgVon1SpJVtLDQP4rBxp8L0MKEccpu-6jdfoqrD8KZYlC780NDx1AyEsRfffJ9CoZ55gL8Btqh_Zq7thrQZwKfBpNJ_VqUiHJs0qPoeK9mLZcEy8cfr/s640/car+ex+2.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Credits: <a href="http://www.artemagazine.it/">Artemagazine</a></td></tr>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-large;">I</span><span style="font-family: Georgia, Times New Roman, serif; font-size: large;">n mostra al Palazzo delle Esposizioni <b>fino al 3 luglio 2016</b>, "<b><a href="http://www.coopculture.it/events.cfm?id=441">Caravaggio Experience</a>" </b>si propone di ripercorrere l'opera del pittore milanese attraverso un approccio assolutamente contemporaneo: l'uso di un grande sistema di multiproiezione combinato con <b>musiche originali e fragranze olfattive</b>. <a href="http://roma.zon.it/pp/caravaggio-experience-merisi/">Con le composizioni di Stefano Saletti, le essenze</a> realizzate</span><br />
<a name='more'></a><span style="font-family: Georgia, Times New Roman, serif; font-size: large;"> dall’Officina <i>Profumo-farmaceutica</i> di Santa Maria Novella e immagini elaborate dai video-artisti di <i>The Fake Factory</i>, </span><span style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"> l'obiettivo della mostra è quello di far vivere al visitatore, attraverso l'uso della tecnologia, un'esperienza unica sul piano sensoriale, "contribuendo ad avvicinarlo ai lavori del Caravaggio in modo del tutto nuovo".</span><br />
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<span style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><b>2.</b></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJU0xxNumOaKnuhIypJxLYLLehRWFP-jNcFxL5NLbIad1SI1z4FvrrvKnt05cEg1XnZdtWniIP2joSbaflF7TlGTnCr42im7Vg1osuKe1qDJ904Ett2JL1kJLBgAcaUdH8njLc94pxzlnu/s1600/barbie+mostra.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="296" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJU0xxNumOaKnuhIypJxLYLLehRWFP-jNcFxL5NLbIad1SI1z4FvrrvKnt05cEg1XnZdtWniIP2joSbaflF7TlGTnCr42im7Vg1osuKe1qDJ904Ett2JL1kJLBgAcaUdH8njLc94pxzlnu/s640/barbie+mostra.jpg" width="640" /></a></div>
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<span style="font-size: x-large;"><b><span style="font-family: Georgia, 'Times New Roman', serif;"> </span><span style="font-family: Georgia, 'Times New Roman', serif;">I</span></b></span><span style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">l suo vero nome è Barbara Millicent Roberts, ma noi la conosciamo tutti come </span><b style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Barbie. </b><span style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">E' un'icona globale da ben 56 anni e la sua figura, tanto amata quanto oggetto di aspre critiche, si è trasformata negli anni in un vero e proprio fenomeno culturale. In una collezione volta a ripercorrere la sua storia,</span><span style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"> <b>dal 15 aprile al 30 ottobre 2016</b> al Complesso Vittoriano sarà aperta al pubblico la mostra "</span><b style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;"><a href="http://www.romeguide.it/?pag=mostre&lang=it&tmo=&idmos=6346">Barbie, the icon"</a>. </b><span style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">L'esposizione, appena trasferita a Roma dal <i>Mudec </i>di Milano, racconterà l'incredibile vita di questa bambola, che ha resistito al tempo e ai cambiamenti culturali facendosi interprete, per oltre mezzo secolo, di trasformazioni estetiche e culturali della società occidentale. </span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-large;"><b>I</b></span><span style="font-family: Georgia, Times New Roman, serif; font-size: large;">n mostra alle Scuderie del Quirinale <b>fino al 26 giugno 2016</b>, </span><br />
<span style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">"</span><b style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;"><a href="http://www.coopculture.it/events.cfm?id=429">Correggio e Parmigianino, arte a Parma nel cinquecento</a></b><span style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">"</span><b style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;"> </b><span style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">ha l'obiettivo di presentare al pubblico la straordinaria stagione dell'arte parmense della prima metà del cinquecento attraverso i due suoi principali protagonisti. Obiettivo dell'esposizione, spiegano gli organizzatori, è quello di mostrare "come la grande arte del Rinascimento italiano non si sia limitata solamente al perimetro dei tre principali centri di Firenze, Venezia e Roma". Fu grazie al talento di questi due artisti, infatti, che la città di Parma divenne nel XVI secolo un centro artistico unico.</span><br />
<span style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Oltre a Correggio e Parmigianino la mostra comprende opere di altri quattro artisti: Michelangelo Anselmi, Francesco Maria Rondani, Girolamo Mazzola Bedoli e Giorgio Gandini del Grando, a dimostrazione del fatto che "</span><span style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><a href="http://www.scuderiequirinale.it/categorie/mostra-correggio-e-parmigianino">uno degli effetti </a>più notevoli della presenza a Parma di Correggio e Parmigianino fu proprio l’emergere di una cerchia di allievi e discepoli."</span><br />
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<span style="font-size: large;"><b>4. </b></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><b><a href="http://www.romeguide.it/?pag=mostre&lang=it&tmo=&idmos=6345"><span style="font-size: x-large;">A</span><span style="font-size: large;">lphonse Mucha </span></a></b><span style="font-size: large;">è stato uno degli artisti più celebri dell'Europa a cavallo tra l'800 e il 900. Combinando immagini di donne seducenti a composizioni e layout tipografici innovativi, l'artista francese diede vita a un nuovo genere di arte visiva, fiorito nella Parigi della Belle Epoque e diventato un punto di riferimento nelle case degli appasionati d'arte europei. <b>Dal 15 aprile all'11 settembre</b> 2016, duecento sue opere tra manifesti, disegni e gioielli saranno protagoniste di una mostra </span><b style="font-size: x-large;">al Complesso del Vittoriano</b><span style="font-size: large;">.</span></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><span style="font-size: large;"><br /></span></span>
<span style="font-family: Georgia, Times New Roman, serif;"><span style="font-size: large;"><br /></span></span>
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<div style="text-align: right;">
<span style="font-family: Georgia, Times New Roman, serif;">A cura di <b>Giulia C.</b></span></div>
<div style="text-align: right;">
<span style="font-family: Georgia, Times New Roman, serif;">@<i>giulscapozzi</i></span></div>
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Anonymoushttp://www.blogger.com/profile/03540028890530346022noreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-38678870166693015322016-04-14T00:05:00.000+02:002016-04-14T09:56:22.929+02:00[AsSaggi di Letteratura] - Le Muse e la divina origine della Conoscenza<div dir="ltr" style="text-align: left;" trbidi="on">
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><div style="text-align: right;">
<span style="font-family: Georgia,"Times New Roman",serif;">Da Omero al Futurismo, le Muse tra poesia e religione come unica costante </span></div>
<div style="text-align: right;">
<span style="font-family: Georgia,"Times New Roman",serif;">della storia della conoscenza umana.</span></div>
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiudzK7j2ZJ1i1G2Nd5cZ_XfR7IDVYNIsL1FSDYjzJKBxuQW1ttE-k3s62fpEPdHUYvYoktqCAuoaoyZoGsIKe3TA9Eh4N3xVP-GyXFSujgpyHfvB1uKvaANkrA5cVumPtFoN3Q0pzyNy4v/s1600/Henri-Matisse.-Dance-I.-Paris-Ho%25CC%2582tel-Biron-early-1909-MOMA-NY.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="434" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiudzK7j2ZJ1i1G2Nd5cZ_XfR7IDVYNIsL1FSDYjzJKBxuQW1ttE-k3s62fpEPdHUYvYoktqCAuoaoyZoGsIKe3TA9Eh4N3xVP-GyXFSujgpyHfvB1uKvaANkrA5cVumPtFoN3Q0pzyNy4v/s640/Henri-Matisse.-Dance-I.-Paris-Ho%25CC%2582tel-Biron-early-1909-MOMA-NY.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Henri Matisse, <i>Danza</i>, 1909</td></tr>
</tbody></table>
<div class="MsoNormal">
<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;"><b>L</b></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">eggendo la
poesia di ogni tempo e ogni spazio, la costante è solo una: la <i>Musa. </i>Entità suprema ed eterea,
nell’antica Grecia era la divinità preposta all’arte. Insieme dio, parola, e
dio della parola<a href="https://www.blogger.com/blogger.g?blogID=4887965061369822740#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[1]</span><!--[endif]--></span></span></a>,
la Musa è una divinità trina in grado di operare prepotentemente nella realtà
umana: svelandosi rivela, rivelando concede «il sacro potere di dar forma»<a href="https://www.blogger.com/blogger.g?blogID=4887965061369822740#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[2]</span><!--[endif]--></span></span></a>.
Per quanto il lettore moderno possa associare ad essa solo una visione
puramente estetizzante, le sue origini sono ben altre: figlie di una
religiosità genuina, abitanti di una Natura, con la <i>N maiuscola</i> panica e incontaminata (e quindi sorelle delle <i>Ninfe</i>), le Muse sono state definite da
Otto come</span><br />
<a name='more'></a><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> l’essenza dell’antica religione e della visione
del mondo greche.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Seppure vari nel
tempo, Esiodo ha fissato il numero delle Muse a nove dando loro un nome. Ognuna
di esse assumerà poi una specializzazione differente legata a un campo
artistico di riferimento: Calliope, Musa della poesia epica e lirica; Clio,
ispiratrice per opere storiche; Erato, dedita al canto corale e ai versi
amorosi; Euterpe, dea della musica; Melpomene, amante dei tragediografi;
Polimnia, dettatrice d’inni religiosi; Talia, dall’animo gaio, generatrice di
poesie rustiche e commedie; Tersicore, amante della danza; Urania, Musa dell’astronomia
e della geometria. Omero ricorda come le Muse siano nate sull’Olimpo, rimasto
poi la loro dimora. A riprova dell’importanza cultuale delle prime invocazioni
alla Muse vi sono tutte le antiche testimonianze che mettono l’accento sul loro
stretto legame con Zeus.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Le Muse, quindi,
come divina <i style="mso-bidi-font-style: normal;">origine</i> di tutta la
parola scritta, della poesia e della prosa, di ogni forma di conoscenza. Può l’<i style="mso-bidi-font-style: normal;">Origine</i> invecchiare? Può divenire <i style="mso-bidi-font-style: normal;">arcaico</i>?<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Era l’11 maggio
1912 quando <a href="http://tutumversi.blogspot.it/2016/04/poeti-in-pillole-marinetti-caffeina.html" target="_blank">Filippo Tommaso Marinetti</a> pubblicò il <i style="mso-bidi-font-style: normal;">Manifesto tecnico della letteratura Futurista </i>accluso alla prima
antologia futurista pubblicata dalle Edizioni di «Poesia»<span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><a href="https://www.blogger.com/blogger.g?blogID=4887965061369822740#_ftn3" name="_ftnref3" style="mso-footnote-id: ftn3;" title=""><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[3]</span></a>:</span></span> un grido distruttivo nei confronti del passato, dei canoni ereditati, del
preesistente, all’insegna del nuovo. Marinetti non sa volgersi indietro, perché
l’unica direzione è verso il domani, è il futuro<a href="https://www.blogger.com/blogger.g?blogID=4887965061369822740#_ftn4" name="_ftnref4" style="mso-footnote-id: ftn4;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[4]</span><!--[endif]--></span></span></a>. Atomico, Marinetti vuole liberare la parola da ogni metro, dalla
prigione classica: «io sentii l’inanità ridicola della vecchia sintassi
ereditata da Omero». Le certezze di tutti i secoli passati si distruggono così,
in un solo elenco programmatico di idee. O forse ancora di più: tolte le
fondamenta, negata l’origine, tutto deperisce in una sola frase.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Eppure, qualcosa di quel
passato lontano Marinetti non è riuscito a rinnegarlo. Facciamo un altro
pindarico salto cronologico e arriviamo al 1991. È il 16 novembre, al Museo del
Genio di Roma Leonardo Clerici allestisce una mostra che a noi interessa anche
solo fermandoci al titolo: <i style="mso-bidi-font-style: normal;"><a href="http://ffmaam.it/mostre/riconfigurazione-spaziale-di-progetti-e-oggetti-futuristi-1991-2" target="_blank">La MusaMetallica di F.T. Marinetti: visioni futuriste d’avanguardia. Aerei, macchine,strumenti del primo Novecento</a><a href="https://www.blogger.com/blogger.g?blogID=4887965061369822740#_ftn5" name="_ftnref5" style="mso-footnote-id: ftn5;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><b style="mso-bidi-font-weight: normal;">[5]</b></span><!--[endif]--></span></span></a></i>.
<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Come in un
sillogismo, in un attimo arriviamo alle nostre conclusioni. Marinetti arde,
brucia, incendia, ma qualcosa rimane ignifuga alle sue fiamme e riemerge dalle ceneri
del passato. Anche quando ogni certezza è dissolta, le <i style="mso-bidi-font-style: normal;">Muse</i>, eterna indissolubile variabile voce della conoscenza, rimangono
e la <i style="mso-bidi-font-style: normal;">poesia </i>con esse cambia volto
senza mai divenire silente.<o:p></o:p></span></div>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>Serena Mauriello</b></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-small;"><a href="https://www.blogger.com/blogger.g?blogID=4887965061369822740#_ftnref1" name="_ftn1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[1]</span><!--[endif]--></span></a> Cfr. Walter Friederich Otto, <i>Le Muse e l’origine divina della parola e
del canto</i>, a cura di Susanna Mati, Roma, Fazi, 2005.<o:p></o:p></span></div>
</div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-small;"><a href="https://www.blogger.com/blogger.g?blogID=4887965061369822740#_ftnref2" name="_ftn2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[2]</span><!--[endif]--></span></span></a> <i style="mso-bidi-font-style: normal;">Ivi</i>,
p. I.<o:p></o:p></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-small;"><a href="https://www.blogger.com/blogger.g?blogID=4887965061369822740#_ftnref3" name="_ftn3" style="mso-footnote-id: ftn3;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[3]</span><!--[endif]--></span></span></a> Si tratta di una rivista fondata nel
1905 a Milano dallo stesso Marinetti con Sem Benelli e Vitaliano Ponti.<o:p></o:p></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-small;"><a href="https://www.blogger.com/blogger.g?blogID=4887965061369822740#_ftnref4" name="_ftn4" style="mso-footnote-id: ftn4;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[4]</span><!--[endif]--></span></span></a> Sabrina Carollo, <i style="mso-bidi-font-style: normal;">I futuristi. La storia – Gli artisti – Le opere</i>, Firenze, Giunti,
2004.<o:p></o:p></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-small;"><a href="https://www.blogger.com/blogger.g?blogID=4887965061369822740#_ftnref5" name="_ftn5" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference">[5]</span><!--[endif]--></span></span></a> Leonardo Clerici, <i>Testo didascalico e critico per La Musa Metallica di F. T. Marinetti:
poetica e visioni dell’avanguardia</i>, Roma, Editioni Anastatike, 1991.</span><span style="font-family: "times new roman";"><o:p></o:p></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-87986315409434272682016-04-12T00:05:00.000+02:002016-04-12T00:05:03.393+02:00[Frammenti Fotografici] - "Poeticamente Ruderi" di Jacopo Naddeo<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Georgia, Times New Roman, serif;"><span style="font-size: x-large;"><b>R</b></span><span style="font-size: large;">uderi o rimembranze di un passato che, inesauribile, si rende presente. Con quattro scatti</span></span><span style="font-size: large;"><span style="font-family: Georgia, Times New Roman, serif;"> Jacopo Naddeo è pronto a farci viaggiare nel limbo tra gli anni alle nostre spalle e l'incertezza del futuro, dove la rovina è solo un poetico destino.</span> </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf3gB0axwM27W1wCF68nOqEKUskyeqD8imQ3gfO98dfa9_3KRusSVQX80U320VuC-AZId-mpr9VVAB8VVR5OVcNTnKFO7FecSdDpf9xM_jtoAy0Bk6RqDqIDa3mDKqFlK3KWprBrqKg2pM/s1600/apo2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf3gB0axwM27W1wCF68nOqEKUskyeqD8imQ3gfO98dfa9_3KRusSVQX80U320VuC-AZId-mpr9VVAB8VVR5OVcNTnKFO7FecSdDpf9xM_jtoAy0Bk6RqDqIDa3mDKqFlK3KWprBrqKg2pM/s640/apo2.jpg" width="640" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><span style="font-size: medium;">Foto di </span><b style="font-size: xx-large;">Jacopo Naddeo</b></span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: medium;">A cura di <b>Serena Mauriello</b></span></div>
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Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-4887965061369822740.post-30002893749978522942016-04-11T00:05:00.000+02:002016-04-11T12:28:20.112+02:00[Poeti in Pillole] - Marinetti: caffeina d'Europa<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Georgia, Times New Roman, serif;">Filippo Tommaso Marinetti: opere, persone, dinamismo... Parole in libertà.</span></div>
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<tr><td class="tr-caption" style="text-align: center;">Elio Luxardo, <i>Ritratto di Marinetti</i>, 1935</td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;"><b>P</b></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">rima della sua poesia veniva la sua persona, Filippo Tommaso Marinetti: <i>caffeina d'Europa</i>. Così alla sua morte Farfa - pittore e poeta triestino - intitolò la poesia encomio dedicata al motore propulsore dell'avanguardia letteraria italiana più dinamica del Novecento, il futurismo. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Marinetti è il dinamismo, e un carattere così connotato non poteva che iniziare il suo percorso culturale all'insegna dell'internazionalità. E' il 1898 quando inizia</span><br />
<a name='more'></a><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> la sua prima collaborazione letteraria: sulla rivista <i>Antologie Revue </i>viene pubblicato il poemetto in versi <i>Les Vieux Marins</i>, premiato al concorso dei Semedis Populaires di Sarah Bernhardt dai direttori Catulle Mandès e Gustave Kahn. E' solo l'inizio di una lunga parabola che lo vedrà protagonista degli ambienti culturali di tutta Europa a partire da Parigi, simbolo e centro dell'innovazione artistica nel vecchio continente. Così, grazie alla sua personalità magnetica e alla sua capacità gestionale, Marinetti riesce a espande la sua <i>visione </i>in tutti i campi dell'arte tramite un folto, aggressivo, anarchico, irriverente gruppo di artisti di ogni genere. Russolo, Carrà, Boccioni, Severini lo seguono nelle sue tournée, per distruggere l'arcaico del mondo sotto i getti del napalm delle <i>parole in libertà</i>. Insieme ai versi, alle parole, che esplodono sulle pagine distruggendo la canonica certezza della spazialità della poesia, Marinetti distrugge le certezze dell'uomo del Novecento, quel secolo che corre veloce verso il domani, quel secolo che appena iniziato <i>sembra non veder l'ora di finire.</i></span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif;">Marinetti, Boccioni, Carrà, Russolo, <i>Sintesi futurista della guerra</i>, 20 settembre 1914</span></td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><i></i></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;"><b><i>All'automobile da corsa</i></b></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;">Filippo Tommaso Marinetti, 1908</span></div>
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<span style="background-color: white; color: #333333; font-family: "georgia" , "times new roman" , serif;"><b><span style="font-size: x-large;">V</span></b><span style="font-size: large;">eemente dio d’una razza d’acciaio, </span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="background-color: white; color: #333333;">Automobile ebbrrra di spazio, </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">che scalpiti e frrremi d’angoscia </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">rodendo il morso con striduli denti... </span></span><span class="versetto" style="border: 0px; box-sizing: border-box; color: #999999; font-style: italic; left: 0px; margin: 0px; outline: 0px; padding: 0px; position: absolute; vertical-align: baseline;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">5</span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="background-color: white; color: #333333;">Formidabile mostro giapponese, </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">dagli occhi di fucina, </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">nutrito di fiamma </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">e d’olî minerali, </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">avido d’orizzonti e di prede siderali... </span></span><span class="versetto" style="border: 0px; box-sizing: border-box; color: #999999; font-style: italic; left: 0px; margin: 0px; outline: 0px; padding: 0px; position: absolute; vertical-align: baseline;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">10</span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="background-color: white; color: #333333;">io scateno il tuo cuore che tonfa diabolicamente, </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">scateno i tuoi giganteschi pneumatici, </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">per la danza che tu sai danzare </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">via per le bianche strade di tutto il mondo!... </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">Allento finalmente </span></span><span class="versetto" style="border: 0px; box-sizing: border-box; color: #999999; font-style: italic; left: 0px; margin: 0px; outline: 0px; padding: 0px; position: absolute; vertical-align: baseline;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">15</span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="background-color: white; color: #333333;">le tue metalliche redini, </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">e tu con voluttà ti slanci </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">nell’Infinito liberatore! </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">All’abbaiare della tua grande voce </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">ecco il sol che tramonta inseguirti veloce </span></span><span class="versetto" style="border: 0px; box-sizing: border-box; color: #999999; font-style: italic; left: 0px; margin: 0px; outline: 0px; padding: 0px; position: absolute; vertical-align: baseline;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">20</span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="background-color: white; color: #333333;">accelerando il suo sanguinolento </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">palpito, all’orizzonte... </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">Guarda, come galoppa, in fondo ai boschi, laggiù! </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">Che importa, mio dèmone bello? </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">Io sono in tua balìa!... Prrrendimi! Prrrendimi! </span></span><span class="versetto" style="border: 0px; box-sizing: border-box; color: #999999; font-style: italic; left: 0px; margin: 0px; outline: 0px; padding: 0px; position: absolute; vertical-align: baseline;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">25</span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="background-color: white; color: #333333;">Sulla terra assordata, benché tutta vibri </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">d’echi loquaci; </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">sotto il cielo accecato, benché folto di stelle, </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">io vado esasperando la mia febbre </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">ed il mio desiderio, </span></span><span class="versetto" style="border: 0px; box-sizing: border-box; color: #999999; font-style: italic; left: 0px; margin: 0px; outline: 0px; padding: 0px; position: absolute; vertical-align: baseline;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">30</span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="background-color: white; color: #333333;">scudisciandoli a gran colpi di spada. </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">E a quando a quando alzo il capo </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">per sentirmi sul collo </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">in soffice stretta le braccia </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">folli del vento, vellutate e freschissime... </span></span><span class="versetto" style="border: 0px; box-sizing: border-box; color: #999999; font-style: italic; left: 0px; margin: 0px; outline: 0px; padding: 0px; position: absolute; vertical-align: baseline;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">35</span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="background-color: white; color: #333333;">Sono tue quelle braccia ammalianti e lontane </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">che mi attirano, e il vento </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">non è che il tuo alito d’abisso, </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">o Infinito senza fondo che con gioia m’assorbi! </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">Ah! ah! vedo a un tratto mulini </span></span><span class="versetto" style="border: 0px; box-sizing: border-box; color: #999999; font-style: italic; left: 0px; margin: 0px; outline: 0px; padding: 0px; position: absolute; vertical-align: baseline;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">40</span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="background-color: white; color: #333333;">neri, dinoccolati, </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">che sembran correr su l’ali </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">di tela vertebrata </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">come su gambe prolisse... </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">Ora le montagne già stanno per gettare </span></span><span class="versetto" style="border: 0px; box-sizing: border-box; color: #999999; font-style: italic; left: 0px; margin: 0px; outline: 0px; padding: 0px; position: absolute; vertical-align: baseline;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">45</span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="background-color: white; color: #333333;">sulla mia fuga mantelli di sonnolenta frescura, </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">là, a quella svolta bieca. </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">Montagne! Mammut, in mostruosa mandra, </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">che pesanti trottate, inarcando </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">le vostre immense groppe, </span></span><span class="versetto" style="border: 0px; box-sizing: border-box; color: #999999; font-style: italic; left: 0px; margin: 0px; outline: 0px; padding: 0px; position: absolute; vertical-align: baseline;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">50</span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="background-color: white; color: #333333;">eccovi superate, eccovi avvolte </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">dalla grigia matassa delle nebbie!... </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">E odo il vago echeggiante rumore </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">che sulle strade stampano </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">i favolosi stivali da sette leghe </span></span><span class="versetto" style="border: 0px; box-sizing: border-box; color: #999999; font-style: italic; left: 0px; margin: 0px; outline: 0px; padding: 0px; position: absolute; vertical-align: baseline;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">55</span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="background-color: white; color: #333333;">dei vostri piedi colossali... </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">O montagne dai freschi mantelli turchini!... </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">O bei fiumi che respirate </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">beatamente al chiaro di luna! </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">O tenebrose pianure!... Io vi sorpasso a galoppo </span></span><span class="versetto" style="border: 0px; box-sizing: border-box; color: #999999; font-style: italic; left: 0px; margin: 0px; outline: 0px; padding: 0px; position: absolute; vertical-align: baseline;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">60</span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="background-color: white; color: #333333;">su questo mio mostro impazzito! </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">Stelle! mie stelle! l’udite </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">il precipitar dei suoi passi?... </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">Udite voi la sua voce, cui la collera spacca... </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">la sua voce scoppiante, che abbaia, che abbaia... </span></span><span class="versetto" style="border: 0px; box-sizing: border-box; color: #999999; font-style: italic; left: 0px; margin: 0px; outline: 0px; padding: 0px; position: absolute; vertical-align: baseline;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">65</span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="background-color: white; color: #333333;">e il tuonar de’ suoi ferrei polmoni </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">crrrrollanti a prrrrecipizio </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">interrrrminabilmente?... </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">Accetto la sfida, o mie stelle!... </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">Più presto!... Ancora più presto!... </span></span><span class="versetto" style="border: 0px; box-sizing: border-box; color: #999999; font-style: italic; left: 0px; margin: 0px; outline: 0px; padding: 0px; position: absolute; vertical-align: baseline;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">70</span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="background-color: white; color: #333333;">E senza posa, né riposo!... </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">Molla i freni! Non puoi? </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">Schiàntali, dunque, </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">che il polso del motore centuplichi i tuoi slanci! </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">Urrrrà! Non più contatti con questa terra immonda! </span></span><span class="versetto" style="border: 0px; box-sizing: border-box; color: #999999; font-style: italic; left: 0px; margin: 0px; outline: 0px; padding: 0px; position: absolute; vertical-align: baseline;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">75</span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="background-color: white; color: #333333;">Io me ne stacco alfine, ed agilmente volo </span><br style="box-sizing: border-box; color: #333333; text-align: start;" /><span style="background-color: white; color: #333333;">sull’inebriante fiume degli astri </span></span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="background-color: white; color: #333333;">che si gonfia in piena nel gran letto celeste! </span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>Filippo Tommaso Marinetti declama </b></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b><i>Zang Tumb Tumb </i></b></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">(1912)</span></div>
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A cura di <b>Serena M.</b></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-91117278070621480712016-04-08T00:05:00.000+02:002016-04-08T00:05:00.146+02:00[Sketchbook] - "Sola rinasco, caro piovasco", di Marty C.<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><b>T</b></span>ra il cielo e le nuvole in fiore, </span><span style="font-family: "georgia" , "times new roman" , serif;">la natura e il sole fanno l'amore.</span><span style="font-family: "georgia" , "times new roman" , serif;"> </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Ma io sola rinasco,</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">caro piovasco </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">di mezza stagione!</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxqMbB5vy_OtaPBZKXgoeVrEZ2IVm9BYvKmgbHRGreWS1Sp0VDe2u8Te8y9IskWVblmxavpE9tYqTtyGpbSKq3ir8lpJNB8DeSUngXvwixbbP3WioTBuSoM-LjwM5vnCliLYAbWRw5n9Pz/s1600/martu+prim.jpg" imageanchor="1" style="display: inline; margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxqMbB5vy_OtaPBZKXgoeVrEZ2IVm9BYvKmgbHRGreWS1Sp0VDe2u8Te8y9IskWVblmxavpE9tYqTtyGpbSKq3ir8lpJNB8DeSUngXvwixbbP3WioTBuSoM-LjwM5vnCliLYAbWRw5n9Pz/s640/martu+prim.jpg" width="510" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Vignetta di <b>Martina Capozzi</b></span></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">Questo disegno appartiene all'autrice e ne è vietata la riproduzione senza autorizzazione.</span></i></div>
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Anonymoushttp://www.blogger.com/profile/03540028890530346022noreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-34800768210722766972016-04-07T00:10:00.000+02:002016-04-07T21:32:27.042+02:00[Arte] - Imitazione e copia: l’influenza di anonimi, copisti e allievi<div dir="ltr" style="text-align: left;" trbidi="on">
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<i><span style="color: #666666; font-family: "georgia" , "times new roman" , serif;">Da Caravaggio a Rembrandt per scoprire l'importanza di copie e imitazioni all'interno del mondo dell'arte, la mitizzazione dei suoi protagonisti e imparare a cambiare il proprio punto di vista.</span></i></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzc5LuPgu1Gvy3hMVinLQFiorYmcNsrsOsEvb_QiDZb8UGqRz7v1lVf919FT_ymfCZEDYj-5qCDC83S8f9bSMrrHg7NHkSEbIVHh-dNS-ACSXdHaZCsX2bHmbpYNr4Z-WPv7inqy_jqBGb/s1600/3.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="color: #666666;"><img border="0" height="522" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzc5LuPgu1Gvy3hMVinLQFiorYmcNsrsOsEvb_QiDZb8UGqRz7v1lVf919FT_ymfCZEDYj-5qCDC83S8f9bSMrrHg7NHkSEbIVHh-dNS-ACSXdHaZCsX2bHmbpYNr4Z-WPv7inqy_jqBGb/s640/3.jpg" width="640" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #666666; font-family: "georgia" , "times new roman" , serif;">Caravaggio, <i>Maria Maddalena in estasi</i></span></td></tr>
</tbody></table>
<span style="color: #666666;"><br /></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="color: #666666;"><b style="font-family: Georgia, 'Times New Roman', serif;"><span style="font-size: x-large;">I</span></b><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">l ritrovamento nel 2014 di un’altra </span><i style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Maddalena in estasi</i><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> di Caravaggio –
l’ottava – aprì un grande dibattito nel mondo dell’arte. Ma Mina Gregori,
allieva di Roberto Longhi nonché massima esperta vivente di Caravaggio,
dichiarò con assoluta certezza che quest’opera fosse quella autentica.</span></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="color: #666666; font-family: "georgia" , "times new roman" , serif; font-size: large;">A due anni di distanza il quadro è ora in
mostra: la famiglia europea proprietaria – che ha scelto l’anonimato per
proteggere la collezione – ha deciso di </span><br />
<a name='more'></a><span style="color: #666666; font-family: "georgia" , "times new roman" , serif; font-size: large;">prestarla al Giappone per la più grande
esposizione sull’artista mai organizzata fuori dal nostro paese “Caravaggio e
il suo tempo: amici, rivali e nemici”, che si terrà al <span style="color: #1a1a1a;">National
Museum of Western Art di Tokyo dal 1 Marzo al 12 Giugno 2016. <o:p></o:p></span></span></div>
<div style="background: white; margin-bottom: .0001pt; margin: 0cm; text-align: justify; text-justify: inter-ideograph;">
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5H80EoCCku_j4pHJCZyxFDCy6_E0LbDz-EMg-9-9ZSfyCWrzMaUBe0vBIYHhsKD7GUS-zNHsX1RmwOxSlJrBGiK66s_PLxaeFk5Vl3eCzFMnH76rtAv1PxmaIKy4n5XQb28WFtZSl9vti/s1600/0.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="color: #666666;"><img border="0" height="492" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5H80EoCCku_j4pHJCZyxFDCy6_E0LbDz-EMg-9-9ZSfyCWrzMaUBe0vBIYHhsKD7GUS-zNHsX1RmwOxSlJrBGiK66s_PLxaeFk5Vl3eCzFMnH76rtAv1PxmaIKy4n5XQb28WFtZSl9vti/s640/0.jpg" width="640" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #666666; font-family: "georgia" , "times new roman" , serif;"><i>I bari </i>di Caravaggio, opera già copiata</span></td></tr>
</tbody></table>
<span style="color: #666666; font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="color: #1a1a1a;">La tesi della Gregori – per quanto ancora
discussa – si basa sulla lettura del quadro (soggetto, posa, colore,
chiaroscuro, pennellata…) e su un indizio di grande impatto: un foglietto
dietro al dipinto </span><span style="color: #232323;">con grafia seicentesca che recita: "Madalena reversa di
Caravaggio a Chiaia ivi da servare pel beneficio del Cardinale Borghese di
Roma". <o:p></o:p></span></span></div>
<div style="background: white; margin-bottom: .0001pt; margin: 0cm; text-align: justify; text-justify: inter-ideograph;">
<span style="color: #666666; font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="color: #232323;">Il discorso che mi preme affrontare non è tanto
</span><span style="color: #1a1a1a;">l’attendibilità
o meno di tale tesi, ma l’importanza di copie e imitazioni, pratiche diverse e
vivissime soprattutto nelle botteghe del 1600, spesso sconosciute alla maggior
parte del pubblico.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="color: #666666; font-family: "georgia" , "times new roman" , serif; font-size: large;">Vi siete mai chiesti perché – per gli
estranei al settore – i massimi artisti mondiali si riducono a cinque, massimo
dieci nomi? <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="color: #666666; font-family: "georgia" , "times new roman" , serif; font-size: large;">Copie e imitazioni hanno in questa scalata
verso la popolarità una funzione primaria. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="color: #666666; font-family: "georgia" , "times new roman" , serif; font-size: large;">La tendenza a proporre improbabili
attribuzioni grandiose cambiando il valore di un quadro per ragioni di mercato
è all’ordine del giorno. Ma a discapito di come possa sembrare, sono copie e
imitazioni che ci hanno permesso di conoscere la grandezza di molti artisti e
non gli originali.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuE2lALzhNBgzCzVasC1wTw3Vk4eLfUBMrNK45Ph-V6B06usg82lsm2_S0atz52obhow-N4GEOtJpD8tCf_tXLAuQgj17GiNdN31AH9vU-cReCIF1MkSuOeJgQaVaffOy9LAZjRl7Bevwv/s1600/1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="color: #666666;"><img border="0" height="556" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuE2lALzhNBgzCzVasC1wTw3Vk4eLfUBMrNK45Ph-V6B06usg82lsm2_S0atz52obhow-N4GEOtJpD8tCf_tXLAuQgj17GiNdN31AH9vU-cReCIF1MkSuOeJgQaVaffOy9LAZjRl7Bevwv/s640/1.jpg" width="640" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #666666; font-family: "georgia" , "times new roman" , serif;"><i>Il cavaliere polacco </i>(Ritenuto a lungo di Rembrandt, invece opera dell'allievo W. Drost) </span></td></tr>
</tbody></table>
<span style="color: #666666; font-family: "georgia" , "times new roman" , serif; font-size: large;">Nel secolo in cui visse e operò
Caravaggio pittura e scultura erano considerati mestieri, per i quali il
tirocinio formativo poteva durare fino a tre anni e senza, quasi sempre, alcuna
retribuzione. Le abitudini di bottega e il numero di allievi variavano da paese
a paese e seguivano la specificità della situazione e dei voleri del singolo
artista che ne faceva capo. </span><br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGRcX_i4CFEbUu5Rail38NEuPEgHrXEIzdVjk6Mhd7GuHeWbrrH-D5OGRhIx0eCvTaxsnAnFMhYA5FKv_1Uq7DWnRzka3Fl5jUvTNNfX1OlGMjCU4T11-CnSuGuzCoWPEcQhF3GkOfoOv7/s1600/unnamed.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><span style="color: #666666;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGRcX_i4CFEbUu5Rail38NEuPEgHrXEIzdVjk6Mhd7GuHeWbrrH-D5OGRhIx0eCvTaxsnAnFMhYA5FKv_1Uq7DWnRzka3Fl5jUvTNNfX1OlGMjCU4T11-CnSuGuzCoWPEcQhF3GkOfoOv7/s400/unnamed.jpg" width="316" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #666666; font-family: "georgia" , "times new roman" , serif;"><i>David suona davanti a Saul </i></span><br />
<span style="color: #666666; font-family: "georgia" , "times new roman" , serif;">(ritenuto per anni di Rembrandt, </span><br />
<span style="color: #666666; font-family: "georgia" , "times new roman" , serif;">invece sarebbe opera di un allievo)</span></td></tr>
</tbody></table>
<span style="color: #666666; font-family: "georgia" , "times new roman" , serif; font-size: large;">Ricorrente era però l’esercizio degli allievi
attraverso copia (identica) e imitazione (richiamo a soggetti e modi) non
soltanto di busti e modelli dal vero, ma anche di maestri del passato (molte
pose delle opere di Caravaggio sono chiari richiami a quelle dei maestri
riconosciuti dal Rinascimento) e di opere dell’artista stesso. Gli allievi più
promettenti, dopo un anno circa potevano addirittura firmare le opere con il
nome dell’artista per cui erano al servizio, pratica che ha destato non pochi
problemi nel mondo controverso delle attribuzioni.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="color: #666666;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"></span><br /><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"></span></span></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJokecDj08VzZi5SmN_hLxTw-nsaAvXzM40SxKIDV0dia75JI0knCqDX4TPdl2z4ahRtTx5tjlN3e6VNSdsVJxXW7vlBXMhA2ngLyqjPeX4eDAaTIU02lugnxc20wnQ1ee498Qmp-mFhW6/s1600/Autoritratto%252C+Rembrandt.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><span style="color: #666666;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJokecDj08VzZi5SmN_hLxTw-nsaAvXzM40SxKIDV0dia75JI0knCqDX4TPdl2z4ahRtTx5tjlN3e6VNSdsVJxXW7vlBXMhA2ngLyqjPeX4eDAaTIU02lugnxc20wnQ1ee498Qmp-mFhW6/s400/Autoritratto%252C+Rembrandt.jpg" width="331" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #666666; font-family: "georgia" , "times new roman" , serif;"><i>Autoritratto</i>, Rembrandt</span></td></tr>
</tbody></table>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="color: #666666; font-family: "georgia" , "times new roman" , serif; font-size: large;">Un altro artista di notevole fama, che
operava in questo senso era Rembrandt.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="color: #666666; font-family: "georgia" , "times new roman" , serif; font-size: large;">A Rembrandt sono stati attribuiti nel
corso dei secoli un migliaio di dipinti, che negli anni sono scesi a 630, 420 e
secondo le attuali indagini del “Progetto di ricerca Rembrandt” in corso ad
Amsterdam la cifra è ancora da ridimensionare.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="color: #666666; font-family: "georgia" , "times new roman" , serif; font-size: large;">Il numero delle opere degli allievi,
fedeli o meno, che producevano all’interno delle botteghe dei grandi del 1600 (Caravaggio,
Rembrandt, Velázquez, Vermeer, Rubens…) lontano dal rappresentare un’invasione
dannosa alle operazioni di mercato tanto incidenti nel mondo attuale, si
consacra invece cruciale per il mantenimento delle botteghe stesse e per la
diffusione delle proprie modalità pittoriche. Il fenomeno e la popolarità di
questi artisti e dei loro modi non convenzionali di fare arte sono vincolati a
copisti, imitatori e persino falsari molto più di quanto ci venga permesso di credere.</span><br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBT_SS1Q-piEi0tB2CqsovMgipB7lRLLj2HT5iROiYGv14ucAJTnjPAiI371AzIL000RhtTQeXX4t9Q00AxjNZ3iE5jVCihUnT1fReNGcIbaoBv5KM9bfLPzJ75AyWVgxCrsflVYgyUYUo/s1600/opera+di+Gerrit+Dou%252C+allievo+di+Rembrandt.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><span style="color: #666666;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBT_SS1Q-piEi0tB2CqsovMgipB7lRLLj2HT5iROiYGv14ucAJTnjPAiI371AzIL000RhtTQeXX4t9Q00AxjNZ3iE5jVCihUnT1fReNGcIbaoBv5KM9bfLPzJ75AyWVgxCrsflVYgyUYUo/s400/opera+di+Gerrit+Dou%252C+allievo+di+Rembrandt.jpg" width="286" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #666666;">Opera di Gerrit Dou,<br /> allievo di Rembrandt<br /></span></td></tr>
</tbody></table>
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="color: #666666;"><br /></span></span>
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="color: #666666;">La mitizzazione di un personaggio, della
personalità egocentrica dell’uno già presente nel passato, diventa palese e viva
nel presente, in cui l’informazione tenta di costruire un comodo – in quanto isolato
e più soggetto alla paura e alla rabbia – ideale di umanità individualista e
solipsistico.</span></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
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<span style="color: #666666;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Cambiare il proprio punto di vista
permette così di allargare lo sguardo a realtà nascoste, che richiedono una
cautela nuova e doverosa nei confronti di quei grandi nomi che hanno talvolta
oscurato intere generazioni di artisti altrettanto talentuosi.</span><span style="font-family: "times new roman";"><o:p></o:p></span></span></div>
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<span style="color: #666666; font-family: "georgia" , "times new roman" , serif; font-size: large;"><br /></span></div>
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<span style="color: #666666; font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>Greta Plaitano</b></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-24935203008135935672016-04-05T17:35:00.001+02:002016-04-06T00:11:54.933+02:00[Percorsi Fotografici] - Longboard Girls Crew: immagini e ispirazioni, action sports al femminile<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "georgia" , "times new roman" , serif;">Appassionate di sport da tutti i continenti agiscono ogni giorno per combattere gli stereotipi di genere nella società e nel mondo degli <i>action sports</i> e per ispirare sempre nuove ragazze ad unirsi a loro. Sono le sportive di <b>Longboard Girls Crew</b>, la più grande associazione sportiva del pianeta in questo campo. Cinque foto, un video e la loro storia tutta social, assolutamente da seguire su Instagram.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwkwptVMyfIUWS9oP4LmDxS4VBiQCOIHFLu2drPRT6m1owwB2Incvm48XGy3VtL0TesucwwQNQ9sdw0kK63FBGg5rYE3E_K3Ljyxhieq04f23TfF05HEZ7xHL6WrR7oDiH4rqxANzVcbmi/s1600/lgc.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwkwptVMyfIUWS9oP4LmDxS4VBiQCOIHFLu2drPRT6m1owwB2Incvm48XGy3VtL0TesucwwQNQ9sdw0kK63FBGg5rYE3E_K3Ljyxhieq04f23TfF05HEZ7xHL6WrR7oDiH4rqxANzVcbmi/s640/lgc.png" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: x-large;"><b>S</b></span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">ono più di 20mila, vengono da tutto il mondo e hanno una passione in comune per gli </span><i style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">action sports. </i><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Ma soprattutto, sono ragazze che lavorano per spronare altre ragazze ad avvicinarsi allo skateboarding, al surf e allo snowboard. Si chiamano </span><b style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Longboard Girls Crew </b><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">e rappresentano al momento </span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">la più </span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">grande associazione femminile di <i>longboard sports</i>.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Nata a Madrid nel 2010 dall'idea di due amiche appassionate di skateboarding, LGC nasce e cresce soprattutto grazie all'<b>attività svolta sui profili <a href="https://www.facebook.com/longboardgc/?fref=ts">Facebook</a> e Instagram, </b>attraverso cui si è posta l'obiettivo di coinvolgere e ispirare ragazze ad appassionarsi allo sport. Negli anni, la sua mission si definisce sempre di più, e oggi si distingue per </span><br />
<a name='more'></a><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">voler supportare e promuovere le ragazze in questo genere di sport per tutto il mondo, "rafforzando il loro ruolo sulla scena sportiva, e di conseguenza nella società". Il profilo instagram di questa crew tutta al femminile, @<a href="https://www.instagram.com/longboardgirlscrew/">longboardgirlscrew</a>, conta più di 75mila seguaci, e la sua attività off-line si svolge giorno dopo giorno con l'azione delle ragazze ma anche con contest, eventi, workshop, <a href="http://longboardgirlscrew.com/shop-2/">shop</a>, corsi e meeting di vario genere.</span><br />
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<a href="https://www.instagram.com/p/BDghd5WxeK9/" style="color: black; font-family: "arial" , sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" target="_blank">Shred mommas all the way. Go to longboardgirlscrew.com to check out @longboardgirlscrewphilippines rider & skater mom @sheewudz ripping hard. She's one of Philippines best female freeriders. We also love the fact that she feeds her child in between runs. Bingles Furiscal @iam_bingles photo. #longboardgirlscrew #womensupportingwomen #womesupportingmommas #normalizebreastfeeding #skatelikeagirl #lgcphilippines #shaypua #skatermom #love</a></div>
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Una foto pubblicata da Longboard Girls Crew (@longboardgirlscrew) in data: <time datetime="2016-03-28T19:18:34+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">28 Mar 2016 alle ore 12:1</time><span style="background-color: transparent; text-align: left;"> </span></div>
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<time datetime="2016-03-28T19:18:34+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">8 PDT</time></div>
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<a href="https://www.instagram.com/p/BDMBtlSxeHp/" style="color: black; font-family: "arial" , sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" target="_blank">Go to longboardgirlscrew.com to check out Spanish rider @cristinaverdu's latest edit going fast and sliding some. Killer. @melvin.herrmann video & photo. #longboardgirlscrew #womensupportingwomen #skatelikeagirl #lgc #downhillskateboarding #cristinaverdu #spain</a></div>
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Una foto pubblicata da Longboard Girls Crew (@longboardgirlscrew) in data: <time datetime="2016-03-20T20:16:16+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">20 Mar 2016 alle ore 13:16 PDT</time></div>
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<a href="https://www.instagram.com/p/BBPtbU7xeO9/" style="color: black; font-family: "arial" , sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" target="_blank">Forest vibes with @eiderwalls and @martagdiaz behind the lens. Beauty! #longboardgirlscrew #womensupportingwomen #skatelikeagirl #eiderwalls #martaguillen #forest #forestvibes</a></div>
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Longboard Girls Crew (@longboardgirlscrew) in data: <time datetime="2016-02-01T13:33:12+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">1 Feb 2016 alle ore 05:33 PST</time></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">"La mia è una storia di crescita personale, di un risveglio verso una nuova realtà - ha spiegato <b>Valeria Kechichian</b> (@<a href="https://www.instagram.com/valeriakechichian/">Valeriakechichian</a>), una delle fondatrici di LGC, in <a href="http://blog.instagram.com/post/142240139112/160404-valeriakechichian">un'intervista </a>al blog di Instagram - ho iniziato il <i>longboard skating </i>all'età di 28 anni: facevo un lavoro tedioso in un ufficio grigio, avevo molte cattive abitudini e il disperato bisogno di un hobby costruttivo. Un paio di anni dopo, insieme a una mia amica venezuelana ho creato la Longboard Girls Crew, con l'obettivo di avvicinare più donne al mondo dello sport".</span><br />
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<a href="https://www.instagram.com/p/BDangcyoJca/" style="color: black; font-family: "arial" , sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" target="_blank">We out here. Time with you is precious my friend. #bigmouth #surftrip #bff #elpalmar #allgiggles #getoutside #gopro #GoProGirl #goprofr</a></div>
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Una foto pubblicata da Valeria Kechichian (@valeriakechichian) in data: <time datetime="2016-03-26T12:15:54+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">26 Mar 2016 alle ore 05:15 PDT</time></div>
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<a href="https://www.instagram.com/p/BBSGk6BReJa/" style="color: black; font-family: "arial" , sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" target="_blank">Our LGC Vietnamese & @vietshred Ambassador @annanas_selina boarwalking in our LGC T-shirt. Go to longboardgirlscrew.com to get yours and support our work 💪🏽 Photo cred? #lookingforboysthatcancookandride #lookingforgirlsthatcancookandride #longboardgirlscrew #womensupportingwomen #skatelikeagirl #lgc #workforchange</a></div>
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Una foto pubblicata da Longboard Girls Crew (@longboardgirlscrew) in data: <time datetime="2016-02-02T11:51:26+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">2 Feb 2016 alle ore 03:51 PST</time></div>
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<a href="https://www.instagram.com/p/BBrPkLmReMo/" style="color: black; font-family: "arial" , sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" target="_blank">LGC US rider @wolfwalkstalk flowing! What are your plans for the weekend? Que vais a hacer este fin de semana? #longboardgirlscrew #womensupportingwomen #skatelikeagirl #lgc</a></div>
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Un video pubblicato da Longboard Girls Crew (@longboardgirlscrew) in data: <time datetime="2016-02-12T06:11:00+00:00" style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;">11 Feb 2016 alle ore 22:</time></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">A cura di <b>Giulia C </b>(@<i>Giulscapozzi</i>) </span></div>
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Anonymoushttp://www.blogger.com/profile/03540028890530346022noreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-66339196581718574102016-04-04T09:26:00.000+02:002016-04-06T00:04:03.887+02:00[Poesia Itinerante] - Venezia, l'amore dei poeti del 1829<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><i>Nel 1829 Venezia fu dichiarata porto franco da Francesco Augusto I, l'elìte culturale rispose con un tripudio di scritti. Si tratta di testi in italiano, volgare veneziano e latino, redatti nelle più varie forme metriche (nell'elenco si annoverano epigrammi, odi, sonetti, madrigali, dialoghi, anacreontiche...), di eterogeneo valore letterario e nella maggior parte anonimi. Il signore lombardo Pietro Milesi li raccolse in un'edizione stampata ad Alvisopoli in quella che definì un semplice opuscoletto, una delle sue piccole tipografiche imprese. </i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;"><b><i>Madrigale </i></b></span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;"><b>del conte Domenico Morosini</b></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: medium;"><b><span style="font-size: x-large;">M</span></b><span style="font-size: large;">iracolo non fu, Vinegia amata,</span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Se da un'infanzia gracile e mal ferma</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Fosti a somma grandezza, un giorno, alzata</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Ma la tua vecchiaia inferma</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Ricondurre a viril stato robusto</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Sol lo poteva AUGUSTO.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;"><b><i>Sonetto</i></b></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><b><span style="font-size: x-large;">D</span></b><span style="font-size: large;">ell'Adria il Genio, che sorge con Elia,</span></span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Spenta la face e rovesciato il Corno,</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Gemer fu visto all'Isoletta intorno,</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">U' stretto lo tenea sorte rubella.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">E quando fie, dicea, che di novella</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Luce, o Vinegia, tu mi vegga adorno,</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">La prisca età che ti fe' ricca e bella?</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Disse; e dall'onda altero il capo estolle</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Nettun, che sul tridente avea lo scritto:</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">(Eran perle le note) "Augusto il volle ''</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Sfavilla il Genio, e cupido al tragitto</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Varca, spiccando dallo scettro molle, </span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">L'aureo destin a' figli suoi prescritto.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;"><b><i>Anacreontica</i></b></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><b><span style="font-size: x-large;">G</span></b><span style="font-size: large;">li Dei ti posero</span></span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Vinegia mia,</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">E ti difendono</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Da sorte ria.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Fosti un dì celebre</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Dominatrice;</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Nuovo or ti donano</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Desrin felice.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Il Re magnanimo che ti governa,</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Nel cui sen chiudesi</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Alma paterna,</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Ti dice: asciugati</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Le meste ciglia</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Ritorna al giubilo,</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">T'amo qual figlia.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="font-family: "\22 georgia\22 " , "\22 times new roman\22 " , serif;"><b>A cura di Serena Mauriello</b></span></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-67621205414067272392016-04-01T00:05:00.000+02:002016-04-01T00:05:01.277+02:00[Attualità] - Roma, arrivano i Game Changers. TEDx all'Auditorium Parco della Musica<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "georgia" , "times new roman" , serif;">Il 9 aprile, all'Auditorium Parco della Musica di Roma, venti <i>game changers</i> dal mondo della scienza, della cultura, della musica, del cinema e dell'innovazione daranno vita all'edizione romana di TedX. </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><b>Info, video e otto protagonisti da iniziare a seguire.</b></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: x-large;"><b>S</b></span><span style="font-size: large;">abato 9 aprile, alcune tra le più importanti personalità dal mondo della scienza, dell’imprenditoria, dell’arte, dell’agricoltura e della cultura si incontreranno con il pubblico di Roma tra gli spazi <b>dell’Auditorium Parco della Musica</b>. <a href="http://tedxroma.com/">In una serie di conferenze e dibattiti, questi protagonisti dell’innovazione entreranno nella veste di <i>game changers</i></a> e diffonderanno storie, spunti di riflessione e idee su alcuni dei temi più importanti della contemporaneità. </span></span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">L’evento è firmato TED, ma si svolge in maniera autonoma e indipendente nell’ambito del programma <b>TEDx</b>.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>TED Conferences è una famosa organizzazione non-profit</b> nata in America nel 1984 con una <i>mission </i>precisa:</span><br />
<a name='more'></a><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> divulgare le idee che meritano di essere diffuse, o meglio <i>the ideas worth spreading</i>. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Il centro della sua strategia comunicativa è lo <i>speech</i>, il discorso dal vivo, con cui ogni anno, presso la TED Conference di Vancouver, esponenti delle discipline più disparate diffondono idee, intuizioni e riflessioni in conferenze dalla durata massima di 18 minuti. Questi discorsi, arricchiti da trascritti e sottotitoli grazie al progetto <i>TED open translation</i>, sono tutti pubblicati sul sito dell’organizzazione (o sull’app) a completa disposizione degli utenti del web. Quel che ne esce fuori è un portale di informazione vasto, che raccoglie idee da tutto il mondo e le fa raccontare da personalità originali, diverse tra loro e a volte rivoluzionarie. Per citarne alcune, <b>Rosy King</b>, con il discorso "<a href="https://www.ted.com/talks/rosie_king_how_autism_freed_me_to_be_myself">how autism freed me to be myself</a>", <b>Siyanda Mohutsiwa, </b>con "<a href="https://www.ted.com/talks/siyanda_mohutsiwa_how_young_africans_found_a_voice_on_twitter">How young africans found a voice on Twitter</a>", o <b>Alaa Murabit</b>, con "<a href="https://www.ted.com/talks/alaa_murabit_what_my_religion_really_says_about_women">What my religion really says about women</a>".</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>L’appuntamento di Roma, </b><a href="https://www.facebook.com/events/1515550185415198/">previsto per sabato 9</a> aprile dalle 9,30 alle 18,30, fa parte del progetto <b>TEDx</b>, che consiste in una serie di eventi locali organizzati con licenza TED, ma secondo una struttura autonoma e indipendente. L’obiettivo è coinvolgere il pubblico in un’esperienza simile a quella che si sperimenta con l’evento di Vancouver, seguendo <b>un programma che intreccia discorsi dal vivo a video</b> tratti da TED conferences passate. </span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><a href="http://tedxroma.com/">La lista completa degli speakers</a> annuncia relatori veramente d’eccezione, come David Payne, l’inventore della fibra ottica, Candace Johnson, la più influente imprenditrice nelle telecomunicazioni, innovatori nel campo dell’agricoltura, della musica, del cinema, o artisti tra i più dirompenti della scena contemporanea. <b>Eccone otto da iniziare a conoscere</b> e seguire su Twitter:</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">1. <b>Medicina</b></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"> <b><a href="https://twitter.com/gtesta72">Giuseppe Testa</a> </b>- scienziato biomolecolare, è professore all'Università di Milano e direttore del laboratorio di Epigenetica delle Cellule staminali presso l'Istituto Europeo di Oncologia di Milano (IEO). <b>Dopo una serie di studi e attività scientifiche tra l'European Molecolar Biology Laboratory di Heidelberg e le Università di Manchester e Harvard</b>, è tornato in Italia per completare le sue ricerche <i>biomolecolari </i>rivolte alla creazione di "avatar cellulari" per studiare e curare malattie come tumori, autismo e la sindrome di Williams.</span><br />
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2. <b>Cinema</b><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><b><a href="https://twitter.com/TheOriginalGabs">Gabriele Mainetti</a> - </b>Director, attore, produttore e compositore romano, <b>è il regista di "Lo Chiamavano Jeeg Robot,</b> un film che secondo pubblico e critica sta rivoluzionando il linguaggio del cinema italiano". </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Il suo percorso nel mondo del cinema inizia a Roma, dove studia cinema, e si sviluppa a New York, dove frequenta corsi di regia e sceneggiatura recitando come attore in diverse produzioni. Approda alla regia nel 2008 con il cortometraggio "Basette", presentato in oltre cinquanta festival nel mondo. Il suo secondo cortometraggio, "Tiger Boy", ha ottenuto diversi riconoscimenti in Italia e all'estero, tra cui il Nastro d'argento per il miglior cortometraggio nel 2013 e la finale nella nomination all'Oscar del 2014.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">3. <b>Danza</b></span><br />
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<b><a href="https://twitter.com/elfkay">Laura Kriefman</a> - </b>Ballerina, premiata coreografa, membro del Clore Leadership Programme 2011-12 e Space Creative Fellow per la rivista WIRED. Attraverso il <i>Guerrilla Dance Project</i> usa la creazione di installazioni e spettacoli fuori scala per ottenere un obiettivo molto peculiare: "aiutare a ristabilire il contatto tra corpo e ambiente attraverso la <b>fusione tra movimento e tecnologia</b>". </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Ha lavorato con numerosi scienziati per realizzare spazi di danza interattiva usando tecnologie di meccanica quantistica e reti di sistemi sensoriali e nei prossimi mesi, a Londra, andrà in scena la seconda edizione di <i>Crane Dance</i>, il progetto che realizza una danza sincronizzata utilizzando tutte le gru dello <i>skyline</i> della città.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><b><a href="https://twitter.com/carlcraignet">Carl Craig</a> - </b>Dj di Fama mondiale, curatore di etichette discografiche e organizzatore di eventi, è considerato un visionario creativo e un'icona della musica elettronica, "l'artista che più di ogni altro è riuscito a definire l'estetica del '<i>suono di Detroit</i>'. Nel suo stile, che abbraccia una vastissima serie di influenze, Craig "ha sempre coltivato una potente fascinazione per la dimensione futuristica, che gli ha permesso di costruire un percorso unico come artista e imprenditore della musica elettronica". E' stato nominato dalla critica "il Miles della musica elettronica" e ha ottenuto una nomination ai Grammy Award.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">5. <b>Bitcoin</b></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_ybLb0xf_Q2bTQDFFmRAc_hLJ-vR1MwlPNYoR63agULrJHisFfkIL7WK3Jb8tn-K0XTOpuMXz8DS4IPbcy-j7gdvt5N6biNRQ2Hh265kh-Umf1IamxzDf-8FsEH7yvKVyCRVtLxPNG8TW/s1600/spepe.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_ybLb0xf_Q2bTQDFFmRAc_hLJ-vR1MwlPNYoR63agULrJHisFfkIL7WK3Jb8tn-K0XTOpuMXz8DS4IPbcy-j7gdvt5N6biNRQ2Hh265kh-Umf1IamxzDf-8FsEH7yvKVyCRVtLxPNG8TW/s200/spepe.png" width="131" /></a></div>
<span style="font-family: "georgia" , "times new roman" , serif;"><b><a href="https://twitter.com/stefanopep3">Stefano Pepe</a> - </b>E' esperto della tecnologia blockchain, ha lavorato tra Silicon Valley e Italia ed è il fondatore della startup UniquID Inc.<br />Da diversi anni, uno dei suoi principali lavori è la divulgazione delle potenzialità del <b>BitCoin</b>, la moneta virtuale che permette di effettuare transazioni economiche senza intermediazioni bancarie.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Nell'autunno del 2014 ha pubblicato il libro "Investire BITCOIN" e si definisce un <i>grouth hacker</i>: "la sua missione è portare la Blockchain ovunque, aiutando persone e organizzazioni a cogliere il meglio" delle sue potenzialità.</span><br />
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6. <b>Scienza</b><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><b><a href="https://twitter.com/amedeo_balbi">Amedeo Balbi </a>- </b>Astrofisico, è considerato uno dei maggiori divulgatori scientifici italiani nel suo campo. I suoi studi spaziano dall'origine dell'universo fino alla ricerca di vita nel cosmo, e la sua <i>mission </i>è quella di stimolare l'intera comunità scientifica a considerare il percorso della scienza come "un'esperienza umana emotiva". Secondo Balbi, la mentalità scientifica può essere un requisito indispensabile, prima che per il progresso, per "un'educazione che prepari alla vita".</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;">"Caratteristica fondamentale della formula TEDx resa possibile qui a Roma anche quest'anno grazie al supporto di un team di altissimo profilo - <a href="http://www.romatoday.it/eventi/ted-x-roma-2016.html">afferma a Roma Today</a> Emilia Garrito, organizzatrice dell'evento - è quella di creare una comunità rivolta a divulgare le azioni positive, innovative e costruttive presenti nel mondo. Una <i>community </i>speciale sempre in movimento".</span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;">I biglietti si possono acquistare <a href="http://tedxroma2016.eventbrite.com/">qui</a> </span><br />
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A cura di <b>Giulia C.</b></div>
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Anonymoushttp://www.blogger.com/profile/03540028890530346022noreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-42868268438488015612016-03-31T00:05:00.000+02:002016-03-31T12:01:54.088+02:00[Sketchbook] - Start Breathing, una vignetta di Marty C.<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "georgia" , "times new roman" , serif;"><b><span style="font-size: x-large;">L</span></b><span style="font-size: large;">a smania di darci un senso a volte mi assale.</span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Ma produco un rumore di fondo in cui, per trovare <b>l'essenziale</b>, devo fermarmi e</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">iniziare a <i>respirare.</i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiYm3gWXmmAJOklpBqhl4EPQXn5N47QiRBfTcGeevChDGzuZEP5NqFBxmrusFw6U1zxGDJ-OXOUPyS1kDhi_-rmkx-rEO76fXbpMomqsvYT3xNVaJfL56YTEn0pDKUNPpyQ3f4kSceuSsN/s1600/st+breathing.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiYm3gWXmmAJOklpBqhl4EPQXn5N47QiRBfTcGeevChDGzuZEP5NqFBxmrusFw6U1zxGDJ-OXOUPyS1kDhi_-rmkx-rEO76fXbpMomqsvYT3xNVaJfL56YTEn0pDKUNPpyQ3f4kSceuSsN/s640/st+breathing.jpg" width="428" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Di <b>Martina Capozzi. </b></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Questa vignetta appartiene all'autrice e ne è vietata la riproduzione senza autorizzazione.</i></span></div>
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Anonymoushttp://www.blogger.com/profile/03540028890530346022noreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-18213134547152758422016-03-30T08:30:00.000+02:002016-03-30T09:52:02.851+02:00[Tutùm Narrativa] - "Stavo diventando frocio" di Giovanni Mau<div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVNDM8uIMDfOxfCH5TkkuNosA3dBV3Nl-64pReDz0n3NrSqLCwGn6MrnzmJDdXxklYrI_9zmVKM50tSj2J7dmODS68goSZJIVv9_ep7R5HjZXRBEPXRnSYSewsTW3Ubiu5-xp1ouHC7Eko/s1600/1.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="400" id="id_d7cf_107_7152_e2f2" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVNDM8uIMDfOxfCH5TkkuNosA3dBV3Nl-64pReDz0n3NrSqLCwGn6MrnzmJDdXxklYrI_9zmVKM50tSj2J7dmODS68goSZJIVv9_ep7R5HjZXRBEPXRnSYSewsTW3Ubiu5-xp1ouHC7Eko/s400/1.jpg" style="height: auto; width: 317px;" width="317" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Illustrazione di Chiara Virgili</td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;"><b><span style="font-size: x-large;">I</span></b><span style="font-size: large;">l mio corpo aveva sempre assecondato gli ordini del mio umore. Anche quel giorno, a tavola, non avevo mangiato nulla. Mi ero inventato di avere mal di pancia già dalla mattina e di non avere appetito. Aggiunsi di essere disgustato, un dettaglio </span></span><span style="font-family: georgia, 'times new roman', serif; font-size: large; letter-spacing: -0.003em; line-height: 1.58;">apparentemente da poco che però per me costituiva quantomeno una mezza verità.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Mia madre mi tolse la carne da davanti, solo l’odore mi nauseava. <em class="markup--em markup--p-em" style="-webkit-font-feature-settings: 'liga' 1, 'salt' 1;">Mangiati un po’ di mozzarella, se ti va</em>, mi disse. Masticarne un unico morso mi sembrò un’impresa. Alzami quella mattina era stata un’impresa.</span><br />
<a name='more'></a><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> Vestirmi, lavarmi i denti, andare a scuola. Avevo solo tredici anni e la mia vita era un’impresa. A scuola brillavo, non c’era nessuno che potesse competere con la mia bravura e al massimo potevo ambire a battere me stesso, compito dopo compito, per ottenere ogni volta un voto che sfiorasse il massimo. Al dieci non ci arrivavo mai. C’era qualcosa nell’aria, un’opinione diffusa e condivisa persino dagli insegnanti, che mi vedeva sgomitare ed affannarmi per ottenere una stima che non mi avvolgeva mai del tutto e che mi obbligava a soccombere ad un’infinita sfilza di nove. E non era tutto. Il rancore, l’odio che mi era riservato da parte dei miei compagni mi avviliva più di ogni altra cosa. Mi invidiavano e non lo capivo. Era un sentimento così estraneo, per me, che non lo sapevo codificare e anzi lo confondevo con una sacrosanta constatazione di massa: ero merda, merda brava a scuola.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Per il resto, il mio viso pullulava di punti neri ripugnanti, la mia fronte era una carneficina di brufoli smembrati con cura dalle mie stesse dita tozze; vestivo male, e non perché fossi povero ma perché persino in casa mia si era deciso latentemente che il mio corpo non meritava di essere coperto con qualcosa di valore. Avevo un ventre floscio, fianchi larghi e gambe corte. Mi si faceva notare di continuo il pallore del mio viso, la mia espressione assente. Ne ero cosciente. Io per primo mi vedevo così, mi guardavo da fuori e chiedevo di continuo a me stesso di scuotersi.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Quella sera a cena, dopo aver inghiottito a fatica il boccone di mozzarella, mio padre mi chiese se assieme al mal di pancia sentissi anche il bisogno di andare al bagno. Mi diagnosticò un’influenza intestinale senza neppure lasciarmi il tempo di rispondere. Non so perché ma mi imbarazzai e dunque mi imposi: dissi <em class="markup--em markup--p-em" style="-webkit-font-feature-settings: 'liga' 1, 'salt' 1;">no, non ci sono andata al bagno</em>. Mi sentii invaso da un calore improvviso che mi arrossò la faccia così rapidamente da soffocarmi. Mi corressi, dissi <em class="markup--em markup--p-em" style="-webkit-font-feature-settings: 'liga' 1, 'salt' 1;">ho sbagliato: non ci sono andato, non andata.</em> Accennai un sorriso timido ma sdrammatizzante. Mi parve opportuno. Mio padre si accodò, superficiale com’era, e disse che a forza di stare con Selene, la mia unica amica, stavo diventando femmina. Anzi, si corresse: stavo diventando <em class="markup--em markup--p-em" style="-webkit-font-feature-settings: 'liga' 1, 'salt' 1;">frocio</em>.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Percepii chiaramente una scossa elettrica dividermi il cuore in due. Non feci in tempo a ragionarci su, ricordo solo una rapidissima e microscopica connessione tra quella sensazione e il cuore frantumato di cui parlavano gli innamorati. Riacquistai lucidità per un attimo, capii che non serviva essere innamorati per avere il cuore infranto; è sufficiente desiderare di amare senza poterlo fare.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Diventai ancora più pallido del solito. Mi alzai velocemente dal tavolo e persi il controllo: vomitai a terra. Mi misi a frignare, non riuscivo a smettere.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Mia madre mi aiutò ad alzarmi, poi corse a prendere un panno per pulire.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Mio padre mi disse <em class="markup--em markup--p-em" style="-webkit-font-feature-settings: 'liga' 1, 'salt' 1;">sta’ tranquillo, mo’ ti passa. Te l’avevo detto che era influenza intestinale.</em></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span class="markup--em markup--p-em" style="-webkit-font-feature-settings: 'liga' 1, 'salt' 1;"><b>Giovanni Mau</b></span></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-86422740305282209462016-03-29T09:32:00.000+02:002016-03-29T09:32:14.534+02:00[Poetiche interviste] - Vi presento La Signora dei Calzini: ispirazioni e poesie di Alessandra Racca<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Georgia, Times New Roman, serif;">Si comincia con una rubrica nuova e tutta dedicata ai poeti contemporanei. Partiamo con <b>Alessandra Racca</b>, che ci ha regalato un'intervista e due poesie: <i>Requiem di Primavera </i>e <i>Invettiva contro la depilazione</i>. </span></div>
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<tr><td class="tr-caption" style="text-align: center;">Dalla pagina <a href="https://www.facebook.com/signoradeicalzini/?fref=ts">Facebook</a> di Alessandra</td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b><br /></b></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;"><b>C</b></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">onosciuta anche come <a href="http://www.signoradeicalzini.it/">La signora dei calzini</a>, Alessandra Racca è una poeta, performer, organizzatrice, presentatrice e concorrente di numerosi poetry slam. Dal 2008 porta i suoi reading in giro per l'Italia collaborando con musicisti (ma soprattutto musiciste) ed altri artisti. Le sue poesie, prorompenti e poeticamente POP, sono state pubblicate in rete, in antologie collettive e nelle raccolte <i>Nostra Signora dei Calzini</i> (2008, Ed. Seed), <i>Poesie antirughe</i> (2011, Neo Edizioni) e <i>L'amore non si cura con la citrosodina</i>. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Qualche mese fa avevamo messo in palio la sua ultima raccolta in un <a href="http://tutumversi.blogspot.it/2015/12/giveaway2015.html">giveaway</a>, oggi <b>ve la facciamo conoscere meglio.</b></span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><br /></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: medium;"><b>1. Ti definisci una poeta o una poetessa?</b></span></span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Mi definisco</span><br />
<a name='more'></a><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> una che scrive poesie. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Fra poeta e poetessa preferisco poeta, anche se all'orecchio mi suona male.</span><br />
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<b><span style="font-family: "georgia" , "times new roman" , serif; font-size: medium;">2. Nella quotidianità, preferisci ispirare o essere ispirata?</span></b></span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Essere ispirata. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Anche essere <b>iNspirata</b>, non è male se chi ti inspira ti piace. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Ispirare può essere gratificante, ma dipende cosa ispiri.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: medium;"><br /></span>
<b><span style="font-family: "georgia" , "times new roman" , serif; font-size: medium;">3. Quali sono i tuoi modelli poetici, presenti passati o futuri? </span></b></span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Questa è la domanda a cui non so rispondere mai. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Leggo un mucchio di roba, macero tutto, ne rimango confusa e <b>felice</b>.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Da sempre. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Ora è così.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">E penso che sempre sarà. </span><br />
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<b><span style="font-family: "georgia" , "times new roman" , serif; font-size: medium;">4. Quando, come, in che dosi un lettore deve autosomministrarsi la tua poesia?</span></b></span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Due volte al dì dopo i pasti, è una formula sempre rassicurante per gli ipocondriaci come me.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Ma forse non va bene.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Direi quando gli va.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Poi io ho un metodo per vedere se una poesia fa effetto (a me): la leggo quando ho l'apatia, quando mi sento annoiata dalle cose di tutti i giorni, quando sono stanca. <b>Se dopo aver letto ho più energia</b> e il cervello ricomincia a mostrarmi cose interessanti attorno e dentro di me, per me vuol dire che quella poesia vale qualcosa.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Allora mi piacerebbe molto che i lettori provassero a vedere se le mie poesie fanno quell'effetto lì, in quelle circostanze lì.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Se così è, allora io sono felice di fare ciò che faccio.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: medium;"><br /></span>
<b><span style="font-family: "georgia" , "times new roman" , serif; font-size: medium;">5. Il titolo della raccolta che riscriveresti mille e una volta?</span></b></span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Mia? </span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Poesie antirughe.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: medium;"><br /></span>
<b><span style="font-family: "georgia" , "times new roman" , serif; font-size: medium;">6. Il titolo della raccolta che non scriverai mai?</span></b></span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Ho capito, questa domanda è un tranello! </span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Per vedere se capivo che è impossibile rispondere. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Ho capito. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Cosa si vince?</span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><br /></span>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>Requiem di primavera</b></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b><br /></b></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">E' impossibile ricordare</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">delle prime volte che muori</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><br /></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">è così per tutti</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">si inizia a morire subito</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">di buio di fame e di paura</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><br /></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">i neonati muoiono spesso</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">hanno morti fameliche</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">li rinasce il latte</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">sono piccoli animali</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><br /></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">gli adolescenti intuiscono tutto</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">alcuni vivono morti sfarzose</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">poi scordano in molti</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">perdono insieme bellezza e terrore</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><br /></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">la gente adulta spesso non vuole sapere</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">è pieno di morti viventi là fuori</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><br /></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">scritta nel dna</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">la legge è semplice e crudele</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">nessun paradiso solo la vita</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">si rinasce se si impara a morire.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><br /></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><br /></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>Invettiva contro la depilazione</b></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b><br /></b></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Sei violenta</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">e innaturale</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">e inutile</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><br /></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">e non riesco a fare a meno di te</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><br /></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">ti odio</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">perché mi piaccio</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">come piaccio a questo secolo</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">liscia</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><br /></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Ma sappi</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">puoi cambiare il mio corpo</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">non me:</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">ho un'anima villosa</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">sempre ricrescerà.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">A cura di <b>Serena </b>e <b>Giulia</b></span></div>
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Anonymoushttp://www.blogger.com/profile/03540028890530346022noreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-5169010837134867582016-03-24T00:22:00.000+01:002016-03-24T00:34:09.888+01:00[Autoritratti d'Artista] - Rimirarsi nella tela: quattro specchi di Gustave Courbet<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: x-large;"><b>G</b></span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">ustave Courbet, tra i personaggi più rappresentativi del movimento realista francese, il pittore di </span><i style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Funerale a Ornans (1849-50), </i><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">de <i>Gli spaccapietre</i> (1849)</span><i style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;"> </i><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">e de </span><i style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">L'Origine du monde (1866)</i><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">, è</span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> un uomo che per tutta la vita si interroga sulla sua condizione e sulla sua esperienza di artista.</span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">N</span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">el 1854 afferma: "Nel corso della mia vita ho eseguito numerosi miei <b>autoritratti </b>che, man mano che il mio stato d'animo mutava, seguivano le mie trasformazioni. Ho scritto la mia vita, in una parola".</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Di seguito, quattro autoritratti realizzati tra i Quaranta e i Cinquanta del XIX secolo, anni di rivoluzionaria giovinezza.</span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> </span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><b>Il disperato, Autoritratto (1944-45)</b></span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><b><br /></b></span>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Gustave ha venticinque anni, si guarda allo specchio. Con un pizzico di ferocia e una manciata di autoironia, vede</span></div>
<a name='more'></a><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> in quel riflesso la <i>disperazione </i>dell'artista, del nomade che non appartiene a nulla, se non alla libertà.</span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><b>Giovane uomo, studio. <br />Autoritratto detto anche al cavalletto, 1847 circa.</b></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Questo disegno viene fatto risalire alla seconda metà degli anni quaranta del XIX secolo, periodo in cui Courbet utilizza spesso il carboncino o la matita nera per ritratti e autoritratti. Nel corso della sua vita Courbet ha realizzato pochi disegni, e questo rende l'opera particolarmente preziosa.</span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><b>L'uomo ferito, </b></span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><b>Autoritratto, 1844-1854</b></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">L'opera, iniziata nel 1844, fu abbandonata poco dopo per essere ripresa nel 1854, dopo che Courbet era stato lasciato dalla donna amata.</span></div>
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<b><span style="font-family: "georgia" , "times new roman" , serif; font-size: small;">Autoritratto con cane nero, 1844</span></b></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Lo stile pittorico di Courbet è sin dagli inizi profondamente originale. L'elemento scottante delle tele a cui dà vita, quello che più fa discutere il mondo a lui contemporaneo, sta nel fatto che queste immortalano la dura realtà della vita quotidiana. </span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Nonostante la critica non lo veda di buon occhio, questo autoritratto viene esposto al </span><i style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Salon</i><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> di Parigi del 1844.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">A cura di <b>Giulia </b>e <b>Serena</b></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-5302470302918335872016-03-23T00:32:00.001+01:002016-03-23T11:50:20.506+01:00[Frammenti Fotografici] - Volti d'Africa di Jacopo Naddeo<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "georgia" , "times new roman" , serif;"><b style="font-size: xx-large;"><span style="font-size: x-large;">I</span> </b><span style="font-size: large;">frammenti fotografici di Jacopo Naddeo oggi ci portano nel continente nero, dove un sorriso e uno sguardo malinconico sembrano essere ancora più vividi.</span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;">Foto di <b>Jacopo Naddeo</b></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">A cura di <b>Serena Mauriello</b></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-8230442125804380542016-03-21T15:46:00.002+01:002016-03-21T16:13:02.606+01:00[Speciale Poesia] - Giornata Internazionale della Poesia: Petrarca e la sua Musa<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">In occasione della giornata internazionale della poesia, ci lasciamo ispirare da Laura, Musa così benefica da esser diventata sinonimo della Poesia stessa. Il sonetto 350 del <span style="font-family: "georgia" , "times new roman" , serif;"><i>Canzoniere</i></span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> viene destinato dall'ordinamento petrarchesco al 21 marzo, da bravi lettori possiamo solo dedicarci alla lettura.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Petrarca e Laura De Noves, Scuola veneziana, c. 1510 (The Ashmolean Museum of Art and Archaelogy)</span></div>
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<b><span style="font-family: Georgia, Times New Roman, serif; font-size: x-large;">Francesco Petrarca, <i>Canzoniere</i>, 350</span></b></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><b><span style="font-size: x-large;">Q</span></b><span style="font-size: large;">uesto nostro caduco e fragil bene,</span></span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;">ch'è vento e ombra, ed ha nome beltade,</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;">non fu già mai se non in questa etate,</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;">tutto in un corpo, e ciò fu per mie pene:</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;">ché non vòl, né si convene,</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;">per far ricco un, por li altri in povertate;</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;">or versò in una ogni sua largitate</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;">(perdonimi qual è bella, o si tene).</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;">Non fu simil bellezza antica o nova,</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;">né sarà, credo; ma fu sì coverta, </span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;">ch'a pena se n'accorse il mondo errante.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;">Tosto disparve: onde 'l cangiar mi giova</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;">la poca vista a me dal cielo offerta</span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;">solo per piacer a le sue luci sante.</span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-43495435358538964682016-03-18T00:05:00.000+01:002016-03-18T00:05:09.790+01:00[Attualità] - Torna #MuseumWeek, la conversazione social tra i musei di tutto il mondo<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Georgia, Times New Roman, serif;">Manca una settimana alla terza edizione di #MuseumWeek2016, il più grande evento culturale mai organizzato su un social media. Tutto il programma e 10 musei da iniziare a seguire per essere sempre aggiornati.</span></div>
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D</span><span style="font-size: large;">al 28 marzo al 3 aprile</span></b><span style="font-size: large;">, chiunque avrà voglia di farsi un giro per musei non dovrà che aprire il proprio browser e collegarsi a Twitter. Da Roma a New York, Da Parigi a Città del Capo e via così attraverso tutto il pianeta, migliaia di Enti culturali e poli museali accenderanno la terza edizione di </span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;">#<a href="https://twitter.com/hashtag/museumweek">MuseumWeek</a></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">, il più grande evento culturale mai organizzato su Twitter, rivolto a musei e visitatori per avvicinarsi a segreti, aneddoti e<a name='more'></a> personaggi della cultura su scala globale.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>Oltre 3000 musei di tutto il mondo metteranno in moto i propri social media team</b> per uno <b>storytelling collettivo </b>volto a svelare, in 7 hashtag - uno al giorno, le caratteristiche più importanti delle realtà Culturali che hanno deciso di partecipare alla grande conversazione.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Quest'anno #Museumweek2016 si concentrerà soprattutto sulla salvaguardia e la celebrazione della cultura, della memoria e dei patrimoni culturali, con un occhio di riguardo verso la "sensibilizzazione di utenti e visitatori alla tolleranza, al vivere insieme e alla libertà d'espressione". </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><a href="https://docs.google.com/spreadsheets/d/1vI29iePBFgNIGODNyR82uBYHArj30vGK7FxJTQwF0aI/edit#gid=0">Lo scorso anno i musei iscritti </a>hanno raggiunto quota tremila, e quest'anno molte altre realtà, grandi e piccole, si aggiungeranno alla manifestazione. </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>Il programma</b> si suddivide in hashtag quotidiani volti a ad aprire conversazioni su storie, dettagli e approfondimenti riguardo le strutture che parteciperanno. Ecco le 7 aree tematiche previste:</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><b>Lunedì 28 </b> <span style="font-size: large;">#secretsMW</span></span></div>
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Il dietro le quinte delle istituzioni e realtà che parteciperanno.</div>
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</span>Martedì 29 </b><span style="font-size: large;">#peopleMW</span></div>
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Le persone che hanno reso le realtà partecipanti quelle che sono oggi: fondatori, figure importanti, tutti coloro che ci lavorano quotidianamente. Per conoscere quali sono le identità che hanno reso e rendono possibile la crescita culturale.</div>
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Mercoledì 30 marzo 2016 </b><span style="font-size: large;">#architectureMW</span></div>
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Storie di edifici, giardini, quartieri, luoghi importanti.</div>
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</span>Giovedì 31 marzo 2016</b> <span style="font-size: large;">#heritageMW</span></div>
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Giornata dedicata al patrimonio culturale, ai tesori e alle riserve. L'obiettivo principale è quello di far scoprire al pubblico quello che offrono le varie istituzioni in giro per il mondo.</div>
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Venerdì 1° aprile 2016</b> <span style="font-size: large;">#futureMW</span></div>
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Quali sono i programmi innovativi, le sfide, i progetti di ricerca e gli obiettivi degli Enti culturali attorno a noi?</div>
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</span> Sabato 2 aprile 2016</b><span style="font-size: large;"> #zoomMW</span></div>
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Giornata dedicata ai dettagli e agli aneddoti, per scoprire contenuti e opere in modo alternativo.</div>
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</span></b><b>Domenica 3 aprile 2106</b> <span style="font-size: large;">#loveMW</span></div>
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C<i>olpi di fulmine al museo</i>, nel senso di tutte quelle eccellenze, mostre ed eventi che sono piaciuti di più.</div>
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Musei, biblioteche, gallerie, archivi, artisti, fondazioni, registratevi per la <a href="https://twitter.com/hashtag/MuseumWeek?src=hash">#MuseumWeek</a> <a href="https://t.co/wSSMlE7LMF">https://t.co/wSSMlE7LMF</a></div>
— Twitter Media Italia (@TwitterMediaIT) <a href="https://twitter.com/TwitterMediaIT/status/709291416346861568">14 marzo 2016</a></blockquote>
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<span style="font-size: large;">A colpi di tweet, migliaia di musei, enti, visitatori e utenti parleranno di sapere in tutte le salse, in tutte le culture. Per partecipare come twittatori basta avere un account, per assistere al live dell'evento ed accedere a migliaia di curiosità basta collegarsi al <a href="https://twitter.com/search?src=typd&q=%23museumweek2016">link dell'hashtag</a>.</span><br />
<span style="font-size: large;"><b>E' meglio restare aggiornati, </b>quindi ecco 10 musei partecipanti da iniziare a seguire:</span><br />
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<span style="font-size: large;">1. Explora MuseoBambini - Roma</span><br />
<span style="font-size: large;"><a href="https://twitter.com/Explora_Roma?ref_src=twsrc%5Etfw">@Explora_Roma</a>. </span><i>Explora è un Museo a misura di bambino con giochi e allestimenti interattivi che consentono di capire fatti, realtà e cose di tutti i giorni.</i><br />
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<span style="font-size: large;">2. Museu de l'Eròtica - Barcellona</span><br />
<span style="font-size: large;"><a href="https://twitter.com/MuseuEroticaBcn">@MuseuEroticaBcn</a>. </span><i>All that you want to know about the history and evolution of human #sexuality and #erotism.</i><br />
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<span style="font-size: large;">3. CTDiamondMuseum - Città del Capo</span><br />
<span style="font-size: large;"><a href="https://twitter.com/CTDiamondMuseum">@CTDiamondMuseum</a>. </span><i>Take a journey of discovery at the Cape Town Diamond Museum. It's a must-see! Open 9am - 9pm, 7 days a week. Book in advance recommended.</i><br />
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<span style="font-size: large;">4. </span><span style="font-size: large;">NodoCultura - Città del Messico</span><br />
<span style="font-size: large;"><a href="https://twitter.com/nodocultura">@nodocultura</a>. </span><i>Arte y patrimonio cultural como procesos de aprendizaje, colaboración y relación con el entorno.</i><br />
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<span style="font-size: large;">5. Museo della Piroga - Capodimonte (Lazio)</span><br />
<span style="font-size: large;"><a href="https://twitter.com/MuseoPiroga">@MuseoPiroga</a>. </span><i>Account del Museo della Navigazione nelle Acque Interne di Capodimonte (VT), presso il lago di Bolsena, conosciuto anche come Museo della Piroga.</i></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;">6. Met Museum Manila - Manila</span><br />
<span style="font-family: Georgia, Times New Roman, serif; font-size: large;"><a href="https://twitter.com/MetMuseumManila">@MetMuseumManila</a>. </span><span style="font-family: Georgia, 'Times New Roman', serif;"><i>Home of international and national modern and contemporary art exhibitions in Manila.</i></span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;">7. The Tech - Downtown San Jose (California)</span><br />
<span style="font-family: Georgia, Times New Roman, serif; font-size: large;"><a href="https://twitter.com/TheTechMuseum">@TheTechMuseum</a>. </span><span style="font-family: Georgia, 'Times New Roman', serif;"><i>Museum of Innovation. Our mission is to inspire the innovator in everyone.</i></span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;">8. Museum of Modern Art - New York</span><br />
<span style="font-family: Georgia, Times New Roman, serif; font-size: large;"><a href="https://twitter.com/MuseumModernArt">@MuseumModernArt</a>. </span><span style="font-family: Georgia, 'Times New Roman', serif;"><i>Victor Samra (@vsamra3) & Gretchen Scott (@gretchen_scott) at the easel. Please tweet us your questions or comments.</i></span><br />
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<span style="font-family: Georgia, 'Times New Roman', serif;"><span style="font-size: large;">9. </span></span><span style="font-family: Georgia, Times New Roman, serif; font-size: large;">ChateaudeVersailles - Versailles</span><br />
<span style="font-family: Georgia, Times New Roman, serif; font-size: large;"><a href="https://twitter.com/CVersailles">@CVersailles</a>. </span><i style="font-family: Georgia, 'Times New Roman', serif;">Bienvenue au château de Versailles. Welcome to the Palace of Versailles. Tweets by Ariane, Maïté, Thomas & Jérémie from Digital media team</i><br />
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<span style="font-family: Georgia, 'Times New Roman', serif;"><span style="font-size: large;">10. </span></span><span style="font-family: Georgia, Times New Roman, serif; font-size: large;">Design Museum - Londra</span><br />
<span style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"><a href="https://twitter.com/DesignMuseum">@DesignMuseum</a>. </span><i style="font-family: Georgia, 'Times New Roman', serif;">One of the world's leading museums devoted to contemporary design in every form from architecture and fashion to graphics, product and industrial design.</i><br />
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<span style="font-family: Georgia, Times New Roman, serif;">Di <b>Giulia C.</b></span></div>
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Anonymoushttp://www.blogger.com/profile/03540028890530346022noreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-67428569214029990602016-03-17T09:20:00.001+01:002016-03-17T09:20:43.996+01:00[Sketchbook] - Accessori politici, di Marty C.<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-large;"><b>U</b></span><span style="font-family: Georgia, Times New Roman, serif; font-size: large;">na vignetta in libertà sull'ipocrisia contemporanea, sull'etnocentrismo occidentale, sul lato più oscuro della politica che ci circonda: i suoi </span><span style="font-family: Georgia, Times New Roman, serif; font-size: x-large;">accessori</span><span style="font-family: Georgia, Times New Roman, serif; font-size: large;">.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Di <b>Martina Capozzi</b></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">[Questa vignetta appartiene all'autrice. Ne è vietata la riproduzione senza autorizzazione]</span></div>
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Anonymoushttp://www.blogger.com/profile/03540028890530346022noreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-55066688969142277872016-03-16T00:38:00.002+01:002016-03-16T00:38:14.094+01:00[News-Letteratura] - "Libri come, Roma e le altre (città)": nella capitale il festival della letteratura e delle culture<div style="text-align: right;">
<span style="font-family: Georgia, Times New Roman, serif;">A Roma un fine settimana animato dalla cultura all'Auditorium Parco della Musica. Dialoghi, </span><span style="font-family: Georgia, 'Times New Roman', serif;">incontri, eventi e laboratori alla </span><span style="font-family: Georgia, 'Times New Roman', serif;">scoperta </span><span style="font-family: Georgia, 'Times New Roman', serif;">dell'universo </span></div>
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<span style="font-family: Georgia, 'Times New Roman', serif;">del libro e della letteratura.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4B3lkQwi5PbNrczcdj0Ld7psqrz8kKjXxZfGdVuBmIiwhXufOuW6FYaqlFHrsgBaJvmnGEzWz3DZnchho3dtdcWaOnpKXBlKzp8ANBnkLDFLFyIB9xamfcImd2Kmh_O85bnNdIwdZPZrX/s1600/libri-come.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4B3lkQwi5PbNrczcdj0Ld7psqrz8kKjXxZfGdVuBmIiwhXufOuW6FYaqlFHrsgBaJvmnGEzWz3DZnchho3dtdcWaOnpKXBlKzp8ANBnkLDFLFyIB9xamfcImd2Kmh_O85bnNdIwdZPZrX/s320/libri-come.jpg" width="303" /></a></div>
<span style="font-family: Georgia, Times New Roman, serif;"><b><span style="font-size: x-large;">A</span></b><span style="font-size: large;">ll'Auditorium Parco della Musica di Roma sta per accendersi "</span><a href="http://www.auditorium.com/eventi/ricerca?input=libri+come" style="font-size: x-large;" target="_blank">Libri come</a><span style="font-size: large;">", la settima edizione del grande festival del libro e della letteratura. Una tre giorni, dal 18 al 20 marzo, che si animerà grazie a un susseguirsi ininterrotto di conferenze, dialoghi, laboratori, e dibattiti volti a un pubblico di ogni tipo: dagli "addetti ai lavori" ai <i>book maniac</i> ai lettori più novizi, tutti sono invitati a partecipare e a vivere insieme attivamente il mondo della lettura.</span></span><br />
<a name='more'></a><span style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">Organizzata dalla Fondazione Roma insieme all'Istituto Cervantes e RAI Radio3, la rassegna è curata da Marino Sinibaldi con la collaborazione di Michele De Mieri e Rosa Polacco. Negli anni il festival ha trattato il mondo del libro in tutte le sue sfaccettature, andando oltre le copertine ma anche dietro le quinte della produzione editoriale indagando, grazie alla viva partecipazione dei protagonisti della cultura nazionale e mondiale, "come" i libri vengono scritti. Ma tra i temi affrontati negli appuntamenti che si sono susseguiti negli anni il panorama è eterogeneo: il futuro del libro, il Lavoro, la Scuola, l'Europa. Il titolo dell'edizione 2016 è </span><i style="font-family: Georgia, 'Times New Roman', serif;">Roma e le altre (città)</i><span style="font-family: Georgia, 'Times New Roman', serif; font-size: large;">, grande </span><i style="font-family: Georgia, 'Times New Roman', serif;">topos</i><span style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"> letterario e interessante punto di partenza per un dibattito mirato all'interculturalità. </span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><span style="font-size: large;">Tra le città protagoniste degli eventi ci saranno Istanbul, Londra, Barcellona, Damasco. Ma con la lettura si viaggerà fino a Gerusalemme, New York, Parigi, Monte Carlo, Milano, per riapprodare a Trieste, Latina e partire nuovamente verso l'Africa. Alla varietà dei luoghi corrisponderà quella dei temi per affrontare la società contemporanea in tutte le sue stratificazioni. Gli spazi dell'Auditorium Parco della Musica dal prossimo venerdì fino a domenica saranno una biblioteca vivente e internazionale, per un fine settimana squisitamente e modernamente nel libro.</span></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><span style="font-size: large;"><b>Serena M.</b></span></span></div>
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-46889479032180994882016-03-14T09:47:00.003+01:002016-03-17T09:31:41.697+01:00[Maestra Poesia] Alda Merini - Un'armonia mi suona nelle vene<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">1947 </span>- <span style="font-size: large;">Alda Merini </span>vive le drammaticità dell'ospedale psichiatrico. E' una fase critica ed estremamente instabile, in cui la poetessa sente il bisogno di affermare con forza la propria identità. Come la ninfa Dafne, in questi versi Alda mette in scena la sua metamorfosi, il suo divenire una creatura <i>altra</i> in cui l'amore, staccatosi dalla realtà, diviene accecante follia. Ma questa nuova trasmigrazione, pur nascendo da momenti di sofferenza, è capace di dare vita a una profonda luce.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibT8UfEaH3Mb5j6ZB_TTc5PSmn9-s3L0z5MRZ7kFO4C5kKeEbDq8fpFI3Mv3ksACik0p6NCbHO8xvCbn5J6Gw-w5p8ugexhDomjHgt0STEf3BbKNvEQOjppzM5oF1KrNvYnoJGT3A6Vvks/s1600/alda_merini.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="548" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibT8UfEaH3Mb5j6ZB_TTc5PSmn9-s3L0z5MRZ7kFO4C5kKeEbDq8fpFI3Mv3ksACik0p6NCbHO8xvCbn5J6Gw-w5p8ugexhDomjHgt0STEf3BbKNvEQOjppzM5oF1KrNvYnoJGT3A6Vvks/s640/alda_merini.jpg" width="640" /></a></div>
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<b><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> Un'armonia mi suona nelle vene</span></b></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Da "La terra Santa"</span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> </span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><b><span style="font-size: x-large;">U</span></b><span style="font-size: large;">n'armonia mi suona nelle vene, </span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">allora simile a Dafne </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">mi trasmuto in un albero alto, </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Apollo, perché tu non mi fermi. </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Ma sono una Dafne </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">accecata dal fumo della follia, </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">non ho foglie nè fiori; </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">eppure mentre mi trasmigro </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">nasce profonda la luce </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">e nella solitudine arborea </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">volgo una triade di Dei</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><b>Alda Merini</b></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: x-large;"><b>[</b></span>nasce a Milano nel 1931 da una famiglia modesta. Finite le scuole elementari, frequenta i tre anni di avviamento al lavoro in un istituto della città natia e tenta poi l'ammissione al liceo Manzoni, ma senza riuscirci a causa del mancato superamento della prova di italiano. A soli quindici anni risale il suo esordio letterario grazie alla guida di Spagnoletti che, nel 1950, la pubblica nell'Antologia della poesia italiana contemporanea dal 1909 al 1949. Nel 1947 viene internata in una clinica privata. Dal 1950 al 1953 frequenta il poeta Salvatore Quasimodo a cui saranno dedicate alcune sue poesie. Un anno dopo, termina la sua relazione con Giorgio Manganelli e sposa il padre delle sue figlio Ettore Carniti, proprietario di alcune panetterie di Milano. Per dieci anni, dal 1962 al 1972, è internata al Paolo Pini a causa dei suoi squilibri psichici, dovuti probabilmente alla sindrome bipolare. L'esperienza drammatica e sconvolgente del manicomio sarò soggetto di quello che può essere inteso come suo capolavoro, La Terra Santa, scritto nel 1979. passa poi un nuovo periodo di crisi, nel 1986 viene nuovamente internata. Tre anni dopo ritorna alla ribalta poetica grazie a numerose collaborazioni con personaggi di spicco del panorama culturale italiano. Muore a Milano il 1 novembre 2009 a causa di un'affezione tumorale.<b><span style="font-size: x-large;">]</span></b></span></div>
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Anonymoushttp://www.blogger.com/profile/03540028890530346022noreply@blogger.com0tag:blogger.com,1999:blog-4887965061369822740.post-20086434908541515072016-03-11T09:34:00.000+01:002016-03-11T09:34:24.960+01:00[Fotografia in pillole] - Da sapere, da vedere: quattro ispirazioni fotografiche della settimana<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "georgia" , "times new roman" , serif;">Quattro ispirazioni in immagini tra attualità, volontariato e fotografia di viaggio per ripercorrere la settimana appena trascorsa. </span></div>
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<span style="font-size: x-large;"><b>1.</b></span> <span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">attualità</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgReyL3j4tDTd3sMpp0c-Sun7pvYLq5p1sIbipJXzlOaYvM3ZGOnEVdf2KR4TetwpqDiKmV0oay5bdeL_b8ag2pIjifs-PWpdrth4RQmRHMn84_-CUcEhOj6Uc-4W4Opab6q1_PJaS4W2ph/s1600/David+Mdzinarishvili+Reuters.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgReyL3j4tDTd3sMpp0c-Sun7pvYLq5p1sIbipJXzlOaYvM3ZGOnEVdf2KR4TetwpqDiKmV0oay5bdeL_b8ag2pIjifs-PWpdrth4RQmRHMn84_-CUcEhOj6Uc-4W4Opab6q1_PJaS4W2ph/s640/David+Mdzinarishvili+Reuters.png" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: small;">Foto pubblicata dal The Guardian. Di <b>David Mdzinarishvili/Reuters</b></span></td></tr>
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<b style="font-family: Georgia, 'Times New Roman', serif;">8 marzo 2016.<span style="font-size: large;"> </span></b><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Attivisti marciano in piazza a </span><b style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Tbilisi, in Georgia</b><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">, in occasione dell'</span><span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;">International women's day</span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">. Il corteo, organizzato da una serie di gruppi</span><br />
<a name='more'></a><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> femministi e LGBT, <a href="http://cbw.ge/georgia/georgian-woman-activist-among-guardians-international-womens-day-around-the-world/">si è svolto</a> principalmente attorno al tema della parità di genere nella partecipazione politica, ma l'altra causa centrale portata avanti dagli attivisti è stata quella per i diritti dei <b>minatori </b>di <b>Tkibuli</b>, la regione centro-occidentale del paese che <a href="http://agenda.ge/news/53266/eng">a febbraio è stata</a> teatro di numerose proteste e uno sciopero durato dieci giorni.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: x-large;"><b>2.</b></span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> fotografia e volontariato</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8oRM3XtSs-YAmaiAK73lyyDPL9oCHi0OrufY-RljlMpU8M1gC4tVSUvx937LkaFY2Thvlt75NB1mQis2IvYxczeBzzNxBy5bN-icB9Juvb3ie_MQFH4oza61rLcoSCtNCaFAlcwDUTvKD/s1600/insegnanti+di+italiano+per+stranieri-+carpi+MO+paolo+orlandi.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8oRM3XtSs-YAmaiAK73lyyDPL9oCHi0OrufY-RljlMpU8M1gC4tVSUvx937LkaFY2Thvlt75NB1mQis2IvYxczeBzzNxBy5bN-icB9Juvb3ie_MQFH4oza61rLcoSCtNCaFAlcwDUTvKD/s640/insegnanti+di+italiano+per+stranieri-+carpi+MO+paolo+orlandi.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: small;">Insegnanti di italiano per stranieri, Carpi (MO). Foto di <b>Mario Orlandi</b></span></td></tr>
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<b style="font-family: Georgia, 'Times New Roman', serif;"><span style="font-size: x-large;">10</span></b><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">mila scatti di 700 fotografi da tutta Italia per documentare, attraverso la fotografia, la vita delle associazioni e dei volontari attivi nel nostro paese: nasce "<b>Tanti per tutti. Viaggio nel volontariato italiano</b>", il progetto realizzato da CSVnet insieme a Fiaf, la Federazione Italiana Associazioni Fotografiche e Cifa, Centro Italiano della Fotografia d'Autore, con l'obiettivo di dare vita al </span><span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;">primo archivio fotografico nazionale on-line del volontariato.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Le immagini migliori del progetto, selezionate da un apposito comitato, da giugno 2016 saranno protagoniste di una mostra nazionale a Bibiena (Ar). </span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Un'anteprima degli scatti è stata pubblicata su questa </span><a href="https://www.facebook.com/CSVnet-904724502974742/photos_stream" style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">fotogallery </a><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">di CSVnet </span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: x-large;"><b>3.</b></span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> da vedere - Milano</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBSquMmT8I0tU7J6tJOGh6dfOYnoPGspFg32f8sbj7-9TUHBMpnfz_lrXDswllaKUcl6CJb3siu6DiUELVjJIVhafaadOEKMSJWNjd4sEhPuIcl19f-R837zfQfw_zoMHRM3gmqkb2Z6xg/s1600/giovanni+verga+fotografo+1892.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="460" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBSquMmT8I0tU7J6tJOGh6dfOYnoPGspFg32f8sbj7-9TUHBMpnfz_lrXDswllaKUcl6CJb3siu6DiUELVjJIVhafaadOEKMSJWNjd4sEhPuIcl19f-R837zfQfw_zoMHRM3gmqkb2Z6xg/s640/giovanni+verga+fotografo+1892.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><b>Giovanni Verga,</b> fotografia scattata in Sicilia, 1892</span></td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Una passione meno conosciuta di <b>Giovanni Verga </b>è stata <a href="http://tutumversi.blogspot.it/2015/05/itinerari-culturali-oltre-la-fotografia.html">quella per la </a></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;"><a href="http://tutumversi.blogspot.it/2015/05/itinerari-culturali-oltre-la-fotografia.html">Fotografia</a>, </span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">a cui si approcciò fin da giovane immortalando gente e luoghi della sua terra colti nella loro quotidianità. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Il </span><span style="font-size: x-large;"><a href="http://www.liceoartisticodibrera.com/">Liceo Artistico di Brera</a></span> <span style="font-size: large;">ha deciso di raccontare questo aspetto meno esplorato dello scrittore, e fino al <b>21 marzo </b>mette in mostra presso lo spazio Hajec una serie di scatti che colgono la spontaneità della sua vita e del mondo che lo circondava.</span></span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">La mostra, gratuita, è aperta dal lunedì al venerdì dalle 9,30 alle 14, e il sabato dalle 9,30 alle 12,30.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;"><b>4.</b></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"> da seguire</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhsTOgcFD-W1Loo3Z5lKJQWdbwNdWFjk-guGJNCio786dnz2HnCnDKWpSUwvUuAKydadrbkfcFnubyHY8564zVukaCbdfZbjaU0BrkCXU4-R0-FZKof0S2yiCcdgaObsx5caifZ_pgkONH/s1600/coba+mexico.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="624" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhsTOgcFD-W1Loo3Z5lKJQWdbwNdWFjk-guGJNCio786dnz2HnCnDKWpSUwvUuAKydadrbkfcFnubyHY8564zVukaCbdfZbjaU0BrkCXU4-R0-FZKof0S2yiCcdgaObsx5caifZ_pgkONH/s640/coba+mexico.png" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;">Scimmia ragno si dondola tra gli alberi nei pressi del sito archeologico di Cobà, in Messico. Foto di </span><b style="font-size: medium;">Matthew Karsten</b><br /></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: x-large;"><a href="http://expertvagabond.com/">Matthew Karsten</a></span><span style="font-size: large;"> è un esploratore sportivo che negli ultimi cinque anni ha girato il mondo con la macchina fotografica sulle spalle: tra immersioni nei mari del Sud America, scalate sulle cime degli Stati Uniti e qualche esplorazione tra le luci del Mar Glaciale Artico, il suo vagabondare è costantemente aggiornato sull'account Instagram @</span><a href="https://www.instagram.com/expertvagabond/" style="font-size: x-large;">Expertvagabond</a><span style="font-size: large;">. </span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: medium;">A cura di <b>Giulia C.</b></span></span></div>
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